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All the clothes, utensils and officials of the four dynasties were used by Lu. Therefore, Lu was the king's ritual, and the world has passed it down for a long time. The monarch and his subjects never killed each other; the rituals, music, criminal laws, politics and customs never changed, and the world thought it was a country with morality. Therefore, the world relied on rituals and music.
Grand Marshal Huan wanted to hunt in the snow and first obtained permission from Wang, Liu and others. Zhen Chang saw that he was dressed in a simple and hasty manner, and asked, "What do you want to do with this, old villain?" Huan said, "If I didn't do this, why would you sit here and talk?"
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
Wang Junchong and Pei Shuze, both children, went to see Zhong Shiji. After he left, the guest asked Zhong, "What do you think of the two boys?" Zhong said, "Pei Kai is clear and fluent, and Wang Rong is conscientious. In twenty years, these two wise men will become the Minister of Personnel. I hope that there will be no more talents left in the world by then."
Wang Ziyou lived in Shanyin. It snowed heavily at night. He woke up, opened the room, and ordered wine to be poured. The sky was bright all around, so I stood up and imitated the poet, reciting Zuo Si's poem to invite hermits. Suddenly I remembered Dai Andao, who was in Shan at that time, so I took a small boat to visit him at night. After walking a night, he finally arrived, but he opened the door without going forward and turned back. When asked why, the king said, "I went out for fun and returned when the fun wore off. Why should I see Dai?"
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
Wang Xu and Wang Guobao are close relatives and both hold important positions in power. The king was very upset about this, so he said to Xu: "You are so hasty, have you ever considered that the jailers are powerful?"
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