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Xun Xu once ate bamboo shoots and served rice on the seat of Emperor Wu of Jin, and said to the people sitting there, "This is the result of hard work in cooking with firewood." The people sitting there did not believe him, so they sent someone to inquire about it secretly, and found out that it was actually done with the carriage legs.
The Duke said, “Why don’t gentlemen today practice this?” Confucius said, “Gentlemen today are insatiable in their love of goods, untiring in their indulgence of virtue, idle and arrogant, and are sure to destroy the people. They use the people at noon to attack those who have the Way; they seek what they want, not what they should. In the past, people were used from the front, but now people are used from the back. Gentlemen today do not practice etiquette.”
Yin Zhongjun, Sun Anguo, Wang, Xie Nengyan and other wise men were all in Kuaiji Wang Xu. Yin and Sun discussed together that the images of Yi are wonderful in showing the real shapes. Sun Yu’s words were in harmony with the truth and he was full of high spirits. Everyone present was uneasy about Sun Li, but they could not give in. The King of Kuaiji sighed and said, "If Zhenchang is here, we should be able to control him." After welcoming Zhenchang, Sun felt that he was inferior to him. When Zhenchang arrived, he first asked Sun to explain the original principle himself. Sun Cuo spoke his own words, and he also felt that they were not as good as before. Liu then made a speech of about 200 words, but his words were difficult to be concise and clear, and Sun Li finally gave in. Everyone sitting there clapped their hands and laughed, praising it for a long time.
Zixia had just finished mourning and came to see me. I played the zither, but it didn't harmonize, and it didn't make any sound when I played it. He stood up and said, "I have not forgotten my grief. The ancient kings established the rites, and I dare not go beyond them."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
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