Zhang Jianjin 80涓囧瓧 935876浜鸿杩 杩炶浇
銆娧侵轆V无一区二区三区銆
In the last month of summer, the sun is in the willow, the fire is in the dusk, and the Kui is in the morning. The days are Bing and Ding. Its emperor is Yan Emperor, and its god is Zhurong. Its insects are feathers. Its sound is Zheng, and its rhythm is Lin Zhong. Its number is seven. Its taste is bitter, and its smell is burnt. Its offering is to the stove and the lungs. The warm wind begins to arrive, crickets live on the wall, eagles learn, and rotten grass becomes fireflies. The emperor resides in the right side of Mingtang, rides on a red road, drives a red horse, carries a red flag, wears a red robe, and wears red jade. He eats beans and chickens, and his utensils are high and coarse. He orders fishermen to kill dragons and catch alligators, and climb turtles and catch sea turtles. He orders marsh people to collect wood and reeds.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
In mourning, one should only look at the deceased but not answer; in mourning of the same age, one should answer but not speak; in mourning of the great merit, one should speak but not discuss; in mourning of the minor merit, one should discuss but not enjoy music. This is the expression of grief in speech.
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