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Prime Minister Wang bowed to the Minister of Education and sighed, "If Liu Wang Qiao crossed the river, I would not be the only one to bow to you."
People think Wen Taizhen is the second best among those who crossed the river. When the famous people of the time were talking about these people, the first one who was about to die was overshadowed by Wen Chang.
When Sun Chuo first wrote Fu Suichu, he built a house by the ditches and rivers, and said that he saw the point of stopping only when he was satisfied. There is a pine tree planted in front of the room, why do I need to dam it myself? Gao Shiyuan was also a neighbor at the time. He said to Sun: "The pine tree is indeed lovely, but it will never be of any use as a pillar of support." Sun said: "Even if the maple and willow trees can be hugged, what good are they?"
The Book of Rites says: "A gentleman embraces his grandson but not his son." This means that a grandson can serve as the king's father's corpse, but a son cannot serve as his father's corpse. When a great official sees a corpse of a king, he should bow down. If the king knows why he is preparing a corpse, he should bow down himself, and the corpse must be arranged in a proper manner. The carriage must be on a platform.
When Wei Jie was a child, he asked Le Ling about his "dream", and Le Ling replied, "It's just thinking." Wei said, "If you dream about something that is not connected between your body and your spirit, how can it be imagination?" Le said, "It is cause. I have never dreamed of riding a car into a rat hole, or pounding vegetables with an iron pestle. This is because there is no imagination and no cause." Wei thought about the "cause" for several days but could not find one, and thus he fell ill. I was pleased to hear it, so I ordered my driver to analyze it. Wei is slightly worse. Le sighed and said, "This child must not have any serious illness in his chest!"
Zhong Yu and Zhong Hui were well-known since they were young. When he was thirteen years old, Emperor Wen of Wei heard about it and said to his father Zhong Yao, "You can order the two sons to come." So he ordered an audience with him. Yu's face was sweating. The emperor asked, "Why is your face sweating?" Yu replied, "I am trembling with fear and sweating like pulp." The emperor asked Hui again, "Why are you not sweating?" Hui replied, "I am trembling with fear and sweating like pulp."
Someone asked Yuan Shizhong, "How does Yin Zhongkan compare to Han Kangbo?" He replied, "In terms of reason and righteousness, it is hard to tell who is better or worse; but in the quiet courtyard, there are still famous scholars, and Yin is not as good as Han." Therefore, Yin wrote a eulogy: "Jingmen is closed during the day, and the idle courtyard is peaceful."
"No! In the beginning of Lu, the royal family looked at the Fengbei, and the three families looked at the Huanying. In the same way, if someone's mother was skilled, then can't you do it? Is his mother skilled? Is she sick? Alas!" He didn't follow it.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
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