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Ji Zhongsan was about to be executed in the East Market, but his expression remained unchanged. He asked for a zither and played Guangling San. At the end of the piece, he said, "Yuan Xiaoni once asked to learn this song, but I refused. Now Guangling San has been lost!" Three thousand students from the Imperial College wrote a letter to him, asking him to be their teacher, but he was not allowed. King Wen also regretted it.
There was a Taoist from the north who was good at reasoning. He met Mr. Lin at the Wuguang Temple and they talked about sketches. At that time, Zhu Fashen and Sun Xinggong all listened together. This Taoist raised many difficult questions, and Mr. Lin answered them clearly and analytically, with a refreshing tone. This Taoist always crushes the weak. Sun asked Mr. Shen: "Master, you must be in a difficult situation, why have you never said anything?" Mr. Shen smiled but did not answer. Mr. Lin said, "The white sandalwood is fragrant, so how can it go against the wind?" Mr. Shen understood the meaning and was disdainful.
When Sun Zijing was young, he wanted to retire, and told Wang Wuzi, "I should use the stone as my pillow and rinse my mouth with stream", but he mistakenly said "rinse my mouth with the stone and use my pillow with stream". The king asked, "Can I use the stream as a pillow, or the stone as a rinse?" Sun replied, "I use the stream as a pillow to wash my ears, and I use the stone as a rinse to sharpen my teeth."
Lord Xie asked Wang Zijing, "How is your calligraphy compared to that of your father?" He replied, "Of course they are different." Lord Xie said, "Outsiders may say otherwise." The king said, "How can outsiders know?"
When Emperor Wu was about to lecture on the Book of Filial Piety, Xie Gong and his brothers had the lecture in private with others. Che Wuzi was very reluctant to ask for thanks, so he said to Yuan Yang, "If I don't ask, my good reputation will be missed; if I ask too much, I will have to thank you twice." Yuan Yang said, "I don't think so." Che asked, "How do you know?" Yuan Yang said, "Have you ever seen a bright mirror get tired of reflecting too many times, or a clear stream get scared of a benevolent breeze?"
When Wang Jingren was thirteen years old, he wrote On the Wise. The chief secretary sent it to Zhenchang, who replied, "Seeing Jingren's essay, I can understand the subtle meaning of it."
The Master said: “In the past, the wise kings of the Three Dynasties all worshipped the gods of heaven and earth, and used divination. They did not dare to use their private interests to disrespect the gods. Therefore, they did not violate the sun and the moon, and did not violate divination. Divination does not follow each other. Big events have their dates; small events have no dates, but divination. External events use hard days, internal events use soft days. They do not violate the tortoise shells. ”The Master said: “Sacrifices, rituals and music are all prosperous, so there is no harm to the gods and ghosts, and no resentment from the people.”The Master said: “The sacrifices of Hou Ji are easy to be rich; his words are respectful, his desires are frugal, and his salary is passed on to his descendants. The Book of Songs says: ‘Hou Ji’s omen sacrifices, and the people have no guilt and regret, and this has continued to this day. ’”The Master said: “The great man’s instrument is awe-inspiring. The Son of Heaven does not use divination; the princes have divination. The Son of Heaven uses divination for the way; the princes do not use divination for countries other than their own. Divination for the house and bedroom. The Son of Heaven does not use divination for the great temple. ” Confucius said: “A gentleman is respectful and uses sacrificial vessels. Therefore, he does not abandon the sun and the moon, does not violate the tortoise shells and divination, and respectfully serves his ruler. In this way, the superiors do not disrespect the people, and the inferiors do not disrespect the superiors.”
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
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