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Wang Wendu and Fan Rongqi were both wanted by Jianwen. Fan was older but held a lower position, while Wang was younger but held a higher position. They will move forward and push each other forward. After a long time of migration, the king stayed behind Fan. The king said, "When you winnow and sift, the chaff is in front." Fan said, "When you winnow and sift, the sand and gravel are behind."
Huan Xuanwu was born into a poor family. He lost a lot in a game of chess. His creditors demanded a lot of money from him. He wanted to find a way to get back on his feet, but he didn't know where to start. Yuan Dan of Chen County was handsome and versatile. Xuanwu wanted to ask for help from Dan, but Dan was in a difficult situation at the time and he was afraid that he would be suspected, so he tried to tell him. He agreed immediately without any regret. So he changed his clothes, put on a cloth hat and followed Wen, playing with his creditor. Tan had always been famous for his fine art, so the creditor came to the chessboard and said, "Why don't you do something like Yuan Yandao?" Then they started to play together. A throw of one hundred thousand can easily add up to millions. He threw his horse aside and shouted, as if no one was around. He raised his cloth cap and threw it to the man and said, "Do you know Yuan Yandao?"
Zhang Xuanzhi and Gu Fu were the grandchildren of Gu Hezhong. Both of them were smart and intelligent since they were young. He knew it, and often said that Gu Sheng was too close to Zhang, which made Zhang quite unhappy. At that time, Zhang was nine years old and Gu was seven years old. They went to the temple together. When they saw the Buddha's Nirvana statue, some of the disciples cried, while some did not. They asked their two grandsons about it. Xuan said, "Weep when you are loved by others, and don't cry when you are not loved by others." Fu said: "No, it is because I forgot my feelings that I did not cry, and I could not forget my feelings that I cried."
Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.
The father and son of Yin Taichang of Jiangzuo were both able to reason, but they also had differences in their eloquence and taciturnity. When Yangzhou talked a lot, Taichang would say, "You should think more about my argument."
Yin Zhongkan was well versed in profound theories, and people said that he had studied them. Yin then sighed and said, "If I could understand the four books, I would not be able to finish them."
The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.
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