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In this month, if farmers do not store and accumulate, or if horses, cattle and animals are lost, they will not be questioned. If there are people in the mountains, forests, swamps and marshes who can get vegetables or hunt animals, the wild game will teach them; if they invade and rob each other, they will be punished without pardon.
Duke Zhuang of Lu and the people of Song fought at Chengqiu. Xian Benfu drove the chariot, and Bu Guo was on the right. The horses were frightened and defeated, and the Duke's army was in retreat. The assistant charioteer gave reins. The Duke said, "It's the last divination." Xian Benfu said, "You won't be defeated in the future, but you are defeated now. You are not brave." So he died. The groom was bathing the horse, and a stray arrow hit the white flesh. The Duke said, "It's not his fault." So he wrote a eulogy for him. The scholars started to write eulogies from this time.
Zixia said: "The five ultimates have been heard, and I dare to ask what the three nothings are?" Confucius said: "Music without sound, ritual without body, mourning without clothes, this is called the three nothings. "Zixia said: "I have heard the three "nothings" briefly. May I ask which poem is closest to them?" Confucius said: "'The life of the morning and the evening is to be forgiven and secret' is the music without sound. 'The dignity and manners are so great that they cannot be chosen' is the etiquette without form. 'When the people are in mourning, they crawl to save them' is the mourning without clothes."
The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
Xie Wan wrote an essay on the Eight Sages, which was a counter-argument to Sun Xinggong's, and the difference was slightly better. After thanking her, she showed it to Gu Junqi, who said, "I also made it, and I know you don't want to name it."
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