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Xie Cheqi asked Xie Gong: "If a person is really aloof, why is he so important?" He replied: "It is because he does not see it! Seeing Zi Jing still makes people unable to stop."
Guo Jingchun crossed the river and lived in Jiyang. His tomb was less than a hundred steps away from the water, so people at that time thought it was close to the water. Jing Chun said: "It will become land in the future." Now the sand has risen, and the land dozens of miles away from the tomb is all mulberry fields. His poem goes like this: "The northern hill is fierce, the vast ocean is turbulent; the three tombs are piled up, only the mother and the Kun."8 Prime Minister Wang ordered Guo Pu to try to make a hexagram. When the hexagram was completed, Guo looked very unhappy and said, "You will have a disaster!" The king asked, "Is there a way to avoid it?" Guo said, "I will order my carriage to go west for a few miles and find a cypress tree. I will cut it into a piece as long as you, and place it on your bed as a regular place to sleep. Then the disaster will be avoided." The king followed his advice. Within a few days, the fruit was crushed to pieces, and the children and young men all celebrated. The general said, "You are again putting the blame on the trees."
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
When Xu Ruzi was nine years old, he once played under the moon. Someone said to him, "If there is nothing in the moon, it will be extremely bright, right?" Xu said, "No, it's like the pupil in a person's eye. Without it, it would be very bright."
When Jianwen was Fujun, he once went to the court with Huan Xuanwu, and they took turns to let each other sit in front. Xuanwu had no choice but to go ahead, so he said: "Bo also holds the spear and drives ahead for the king." Jianwen said: "It is said that 'no matter how small or big, follow the king in his march'."
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
Wang Ziyou went to see Mr. Xie and asked, "What is a seven-character poem?" Ziyou answered, "It is as majestic as a colt that can run a thousand miles, and as light as a duck in the water."
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