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Legend of the Three Kingdoms

Bi Luyu

The first ten years of a person's life are spent as a child, learning. At twenty, one is weak and then crowned. At thirty, a man is considered strong and has a wife. At forty one is strong and can serve in an official capacity. At fifty, he is called Ai, and he serves as an official. Sixty is called Ji, which means to give instructions. Seventy is considered old, and time for passing on. Eighty or ninety years old is called mao, and seven years old is called dao. Even if the people of dao and mao are guilty, they shall not be punished. A hundred years is called Yi.

Royal Fragrance

Mu Renxu

Mrs. Xi, the wife of Wang Youjun, said to her two younger brothers, Sikong and Zhonglang, "When the Wang family saw the two Xies, they were very happy; but when they saw you, they were indifferent. You don't need to bother to go again."

Gossip Contract

Taishu Qiaoling

The sons of commoners who are in the royal family should be taught to be filial and respectful, friendly and loving, and to make clear the righteousness between father and son and the order of elders and juniors. When they go to the royal court, they should face east and go north; if they are ministers of high rank, they should be ranked according to their seniority. When they are in the outer court, they should be appointed by officials and officials. When they are in the ancestral temple, they should be in the same position as the outer court. The clan members should be given posts by titles and officials. When they are offered titles by offering sacrifices, they should be heirs. The sons of commoners should be in charge, and even if they have three orders, they should not exceed their fathers and elder brothers. When the royal family attends important events, they should be ranked according to the fineness and coarseness of their mourning clothes. Even when the royal family attends funerals, they should be ranked according to the host. If the royal family and their clansmen have a banquet, people of different surnames should be guests, and the chef should be the host. The royal family should be ranked according to their fathers and elder brothers. The clansmen should be one level lower. When they are in the army, they should guard the royal temple. If a duke has a policy of going out of the border, the concubines and the idle dukes shall guard the duke's palace, the wife shall guard the great temple, the fathers shall guard the noble palace and noble rooms, and the sons and grandsons shall guard the lower palace and lower rooms. The grandsons of the five temples, as long as the ancestral temple is not destroyed, even if they are commoners, must inform when they come of age and marry; they must go to the funeral when the deceased dies; they must inform when the auspicious ceremony is held. The clansmen shall be punished for whether they should offer condolences or not, or whether they should be exempted or not. As for the funeral gifts and inheritance, they shall all be regulated. If there is a capital crime in the duke's family, they shall be beheaded by the people of the Dian. If there is a criminal crime, they shall be fined and also informed by the people of the Dian. There is no castration or punishment in the duke's family. After the case is concluded, the officials shall report it to the duke. If it is a capital crime, they shall say "so-and-so's crime is a capital crime"; if it is a criminal crime, they shall say "so-and-so's crime is a minor crime". The Duke said, "Pardon him." The official said again, "He is in prison." The Duke said again, "Pardon him." The official said again, "He is in prison." After the third pardon, he refused to respond and ran away, and the people of Yudian were punished. The Duke sent people to chase him again, saying, "Even if it is, I will pardon him." The official said, "It is too late!" He returned the order to the Duke, who did not raise his plain clothes, but changed them, just like the mourning of his relatives. Without mourning clothes, he cried for him personally. The Duke's clan members attend the inner court, which is the family kinship. Although there are nobles, they are treated according to their seniority, which is to distinguish between father and son. The outer court is treated according to official positions, which is to distinguish between different surnames. In the ancestral temple, the position is based on the title, which is to honor virtue. The clan members are given official positions, which is to honor the virtuous. The successor who ascends the throne and receives the title is the way to honor the ancestors. The mourning rules are based on the severity of the mourning clothes, and do not deprive people of their relatives. When the Duke and his clansmen feast, they are based on seniority, and the way of filial piety and brotherhood is achieved. The food of his clansmen is reduced by one level for generations, which is to kill the relatives. In war, they defend the Duke's temple, which is to show the depth of filial piety and love. The wife of the first wife guards the great temple and honors the clan, and the way of the ruler and the minister is clear. The fathers and brothers guard the noble house, and the sons and nephews guard the lower house, and the way of yielding is reached. The grandchildren of the five temples, the ancestral temple is not destroyed, even if it is a commoner, when they come of age, they must inform their parents when they marry, and they must go to the death, so as not to forget their relatives. If the relatives are not severed, but they are ranked among the common people, they are lowly and incompetent. Respectfully mourning, attending and offering gifts are the way to make friends. In ancient times, when the sons of the common people were in power, the country had a relationship; when the country had a relationship, the people were well-off. The crimes of the royal family, even if they were relatives, were not punished by the officials. This is the correct method, so as to understand the people. Punishing those who hide their lives is not to worry about their brothers with the people. Not mourning, not mourning, crying in the temple of a different surname is to disgrace the ancestors and distance themselves. Wearing plain clothes and living outside, not listening to music, and mourning privately are to ensure that the relationship between flesh and blood is not severed. The royal family does not have castration, nor does it cut off its kind. The emperor inspects the school and sounds the drums at the beginning of the day to warn the people. After the people arrive, the Son of Heaven arrives. Then he orders the officials to act. He starts the ritual and offers sacrifices to the ancestors and sages. When the officials finish their work, they return the order. The beginning of care is to go to the East Sequence, offer sacrifices to the ancestors, and then set up seats for the three elders and five watches for the elders. When the food is good and the wine is good, the treasures for the elderly are ready; then they start to sing, and retreat to cultivate filial piety. When they return, they go up to the Qing Temple and sing, and after singing, they speak to complete it. They talk about the way of father and son, monarch and minister, and the old and the young, and combine the meaning of virtue and music, which is the greatest ritual. They play the "Xiang" and dance the "Da Wu". They unite the people to do things, reach the gods, and promote virtue. They correct the positions of the monarch and ministers, and the ranks of the noble and the humble, and the righteousness of the upper and lower levels is carried out. The officials report the end of the music, and the king orders the dukes, marquises, earls, sons, and men and all the officials to say, "Return! Take care of the elderly and the young in the East Sequence." It ends with benevolence. Therefore, when the sages recorded events, they considered them with great consideration, loved them with respect, carried them out with courtesy, cultivated them with filial piety, recorded them with righteousness, and ended them with benevolence. Therefore, when the ancients did something, everyone knew their virtues. The ancient gentlemen, when they did something big, must be careful about the beginning and the end, so how could everyone not understand it? "The Book of Changes" says: "Thinking about the beginning and the end is a discipline in learning."

My goddess boss

Zhao Shuxi

Wang Ziyou once stayed temporarily in someone else's empty house and asked him to plant bamboo. Someone asked, "Why do you bother to stay here for a while?" Wang Xiao chanted for a long time, pointed to the bamboo and said, "How can I live without you for even a day?"

The Good-for-Nothing Strikes Back: The Icy Prince and the Alluring Concubine

Ma Jiashiyi

When the king's carriage is about to start, the servant will hold the stalk and stand in front of the horse. After the carriage is started, the servant will unfold the reins and serve as the driver, and take the two reins from the upper right, kneel down, hold the stalk and separate the reins, drive it five steps and stand. When the king goes out to the carriage, the servant will hold the reins and hand over the reins. The left and right will make way, and the carriage will drive and the horses will be driven. When it comes to the main gate, the king strokes the servant's hand and looks back, and orders the charioteer to the right; the gates and ditches must be walked.

Chunhua Luoyue

Frosty Mountain

All sounds arise from the human heart. The movement of the human heart is caused by things. It is moved by things, so it is shaped in sound. When sounds respond to each other, they change; when they change into squares, they are called music; when sounds are compared and they are enjoyed, such as with the use of halberds, shields, feathers and pennants, they are called music. Music is the origin of sound; its root lies in the human heart's feeling of things. Therefore, when the heart is moved by sorrow, the sound is sad and killing. When the heart is moved by joy, the sound is biting and slow. When the heart is moved by joy, the sound is spreading and dispersing. When the heart is moved by anger, the sound is rough and harsh. When the heart is moved by respect, the sound is straight and honest. When the heart is moved by love, the sound is harmonious and gentle. The six are not innate, but are moved by things before they are moved. Therefore, the ancient kings were careful about what they were moved by. Therefore, rites were used to guide people's aspirations, music was used to harmonize their sounds, politics was used to unify their actions, and punishments were used to prevent their treachery. Rites, music, punishments and politics have the same ultimate; they are used to unify the hearts of the people and to create the way of governance. All sounds are what give rise to the human heart. Emotions move in the heart, so they are expressed in sounds. When sounds become texts, they are called music. Therefore, the music of a well-governed country is peaceful and joyful, and its politics is harmonious. The music of a chaotic country is resentful and angry, and its politics is perverse. The music of a ruined country is sad and thoughtful, and its people are in distress. The way of music is connected with politics. Gong represents the ruler, Shang represents the ministers, Jiao represents the people, Zheng represents the affairs, and Yu represents things. If the five are not in disorder, there will be no music of humiliation. When Gong is in disorder, there will be desolation, and the ruler will be arrogant. When Shang is in disorder, there will be dystopia, and the officials will be corrupt. When Jiao is in disorder, there will be worry, and the people will be resentful. When Zheng is in disorder, there will be sorrow, and the affairs will be diligent. When Yu is in disorder, there will be danger, and the money will be scarce. When the five are in disorder, and they bully each other, it is called slowness. If this happens, the country will be destroyed soon. The music of Zheng and Wei is the music of a chaotic country, which is comparable to slowness. The music of Sangjian and Pushang is the music of a ruined country, and its politics is scattered, its people are wandering, and they accuse the ruler of selfishness and cannot be stopped. All music is born from the human heart. Music is the communication of ethics. Therefore, those who know sound but not music are animals; those who know music but not music are the common people. Only the gentleman can know music. Therefore, if you examine sound, you can know music; if you examine music, you can know politics, and then the way of governance will be complete. Therefore, those who do not know sound cannot talk about music; those who do not know music cannot talk about music. Knowing music means that you are close to etiquette. If you are good at both etiquette and music, you are called virtuous. Virtue is good. Therefore, the grandeur of music is not to extreme music. The etiquette of feasting is not to taste. The zither in the Qing Temple has red strings and sparse Yue, one song and three sighs, which have lost the sound. The ceremony of the grand feast, the dark wine is preferred and the fish is fishy, the soup is not harmonious, which has lost the taste. Therefore, the ancient kings established etiquette and music not to extreme the desires of the mouth, the ears and the eyes, but to teach the people to balance likes and dislikes and return to the right way of humanity. People are born quiet, which is the nature of heaven; they are moved by things, which is the desire of nature. When things come to know, then likes and dislikes take shape. If likes and dislikes are not controlled within, and knowledge is lured from the outside, and one cannot reflect on oneself, then the principles of nature will be destroyed. Things can affect people endlessly, but people's likes and dislikes are uncontrolled, then when things come, people will become things. People who become things are those who destroy the principles of nature and reduce people's desires. Then there will be rebellious and deceitful hearts, and there will be lewd and rebellious things. Therefore, the strong bully the weak, the majority bully the few, the wise deceive the foolish, the brave suffer and are timid, the sick are not taken care of, and the old and the young are lonely and have no place to go. This is the way to great chaos. Therefore, the ancient kings established rituals and music, and people regulated them; mourning clothes and weeping were used to regulate funerals; bells, drums, and halberds were used to harmonize and make people happy; the wedding and marriage ceremony were used to distinguish between men and women; archery and feasting were used to regulate intercourse. Rituals regulate the hearts of the people, and music harmonizes the voices of the people. Politics implements them, and punishments prevent them. Rituals, music, punishments, and politics are spread everywhere without contradiction, and then the kingly way is complete. Music is the same, and rituals are different. If they are the same, they will love each other; if they are different, they will respect each other. If music prevails, they will flow together; if ritual prevails, they will separate. To match feelings and decorate appearances is the business of ritual and music. When ritual and righteousness are established, the noble and the humble are equal; when music and culture are the same, the upper and the lower are harmonious; when likes and dislikes are clear, the virtuous and the unworthy are distinguished. Punish violence, and give titles to the virtuous, and the government will be balanced. Love them with benevolence, and correct them with righteousness. In this way, the people will be governed. Music comes from within, and ritual comes from without. Music comes from within, so it is quiet; ritual comes from without, so it is elegant. Great music must be simple, and great ritual must be simple. When music comes, there is no resentment; when ritual comes, there is no dispute. To rule the world with courtesy and yielding is what ritual and music are. There will be no violence, the princes will be submissive, there will be no war, the five punishments will not be used, the people will not be in trouble, and the emperor will not be angry. In this way, music will be achieved. The relationship between father and son will be unified, the order of the old and the young will be clear, and the emperor will be respected throughout the world. In this way, ritual will be practiced. Great music is in harmony with heaven and earth, and great ritual is in harmony with heaven and earth. Because of harmony, all things are not lost; because of moderation, heaven and earth are worshipped; in the light, there are rituals and music; in the dark, there are ghosts and gods. In this way, all people in the four seas will respect and love each other. Rituals are different things that make people respect each other; music is different texts that make people love each other. The meaning of rituals and music is the same, so the wise kings follow them. The story is in line with the times, and the name is in line with the merit. Therefore, bells, drums, pipes, and chimes, feather flutes, and halberds are instruments of music. Bending and stretching, bowing and raising, and composing signs and slowing down are the texts of music. 簠簋翎碗, system and articles are instruments of ritual. Rising and falling, turning around and returning, and carrying clothes are the texts of ritual. Therefore, those who know the meaning of rituals and music can create, and those who know the texts of rituals and music can describe. The author is called a sage, and the narrator is called a wise; the wise sage is the one who describes and creates. Music is the harmony of heaven and earth; ritual is the order of heaven and earth. Because of harmony, all things are transformed; because of order, all things are different. Music is created by heaven, and ritual is made by earth. Over-regulation leads to chaos, over-exertion leads to violence. Only when one understands the heaven and earth can one promote rituals and music. Discussing ethics without worry is the emotion of music; being happy and loving is the function of music. Being upright and impartial is the essence of rituals, and being solemn, respectful and obedient is the regulation of rituals. If rituals and music are applied to metal and stone, and go beyond sound, and are used in ancestral temples and altars, and in matters of mountains, rivers, ghosts and gods, then this is what the people share.

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