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The guest must face south. The east is spring, and spring means stupidity, and the one who produces all things is the saint. The south is summer, and summer means borrowing. To nurture, grow, and borrow is benevolence. The west is autumn, and autumn means sorrow. To be sad with time is to observe and keep righteousness. The north is winter, and winter means the middle, and the middle is to hide. Therefore, when the emperor is established, the left is the saint and the right is the benevolent, and the right is the righteousness and the hidden. The host must face east, which is the host and the guest. The host must live in the east, and the east is spring, and spring means stupidity, and the one who produces all things; the host creates it, and the one who produces all things. The moon is formed in three days, and the three months are formed in time. Therefore, there are three concessions in etiquette, and three ministers must be established when a country is established. The three guests are the foundation of politics and education, and the great reference of etiquette.
Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.
The east wind thaws the frost, the hibernating insects begin to wake up, the fish come out of the ice, the otter offers fish, and the wild geese come. The emperor lives in the left side of Qingyang. He rides on the Luan Road, drives the Canglong, carries the green flag, wears green clothes, wears Cangyu, eats wheat and sheep, and his utensils are sparse and clear.
Su Jun went to the east to attack Chen Chong, and asked Lu Mai, the Minister of Personnel, to go with him. When he was about to reach Wu, he secretly ordered his attendants to enter the Chang Gate and set fire to it as a demonstration of power. Lu knew what he meant and said to Jun, "Wu will not be peaceful for long and there will be chaos. If you want to be the cause of the chaos, please start with my family." Jun then stopped.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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