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When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

Ni Heng was demoted by Emperor Wu of Wei to be a drummer, and was tested on the drums at 15th day of the first lunar month. The Hengyang gong was the Yuyang gong, and its sound was like that of metal and stone, which made the expressions of those sitting around change. Kong Rong said: "Ni Heng's crime is the same as Xu Mi's. He cannot reveal the king's dream." Wei Wu was ashamed and pardoned him.

Someone asked Wang Yifu, "What do you think of Shan Juyuan's moral principles? Who is he?" Wang said, "He was unwilling to talk at first, but he did not read Laozi and Zhuangzi, but when I heard their poems, I often agreed with their ideas."

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Raising a son with Gaolingzhihua

Su Shen

The left and right showed the arrows and asked them to pick up the arrows. If someone came in, the archer would sit and release a count. The guest party was on the right, and the host party was on the left.

The abandoned queen is reborn as the prince's favorite

Lian Shen

Xu Xuandu said: "In Qin Fu, it is said that 'only those who are extremely refined can analyze the principles with him'. This is Liu Yin; and 'only those who are profound and calm can rest with him'. This is Jian Wen."

Deserted Island Life with a Female Star

Zhan Guanyu

Zu Guanglu was orphaned and poor when he was young. He was very filial and often cooked for his mother. Wang Pingbei heard of his good name and gave him two maids as a reward, and then appointed him as a Zhonglang. Someone teased him, saying, "The price of a slave is twice that of a maid." Zu said, "Why should Baili Xi be less valuable than the skins of five goats?"

Lanxiang Xiuxian Technical College

Ren Kaichang

When Jianwen entered Hualin Garden, he looked around and said to those around him, "The place where you can feel your heart does not have to be far away. The shady trees and waters remind me of Hao and Pu. I feel that the birds, beasts, and fish have come to me as my friends."

Unnoticed

Zhen Xinrou

In the suburban sacrifice, the mourners dare not cry, and those in mourning clothes dare not enter the country gate, which is the utmost respect. On the day of the sacrifice, the king leads the animal, the mu answers the king, and the ministers follow in order. After entering the temple gate, they are beautiful in front of the stele. The ministers and officials bare their clothes, and the hairy cows are still ears. They are cut with a phoenix knife, and the flesh and blood are taken out before they leave. Burning the sacrifice, offering the smell and leaving, is the utmost respect. In the suburban sacrifice, the great report to the sky is the main sun, and the moon is paired with it. The Xiahou clan sacrificed to the dark, the Yin people sacrificed to the yang, and the Zhou people sacrificed to the sun, starting in the morning and in the dark. Sacrifice to the sun on the altar, and sacrifice to the moon on the pit, to distinguish between the living and the dead, and to control the upper and lower. Sacrifice the sun in the east and the moon in the west to distinguish the outside from the inside and to set their positions. The sun rises in the east and the moon rises in the west. The length and shortness of yin and yang, the beginning and the end, are in rotation, so as to achieve harmony in the world. The rituals of the world are to return to the beginning, to respect ghosts and gods, to achieve harmony, to achieve righteousness, and to achieve yielding. Return to the beginning to strengthen the foundation; respect ghosts and gods to respect the superiors; use things to establish the rules of the people. If righteousness is achieved, the upper and lower will not rebel. If yielding is achieved, disputes will be eliminated. Combining these five is the ritual to govern the world. Although there are strange evils, those who cannot be governed are very small.

Quick Travel Guide: Loyal Dog God Contract

Lianguichou

Confucius said: Those who make Mingqi know the way of funeral, and they prepare things but cannot use them. Alas! The dead are used with the utensils of the living. Isn't it dangerous to use them as sacrifices? Mingqi means to show the gods. Painting carts with straw spirits has existed since ancient times, and it is the way of Mingqi. Confucius said that those who make straw spirits are good, and those who make figurines are unkind - isn't it dangerous to use people!

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