日韩性生活网

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《日韩性生活网》

The so-called self-cultivation is to rectify one's heart. If one is angry, one cannot be rectified; if one is afraid, one cannot be rectified; if one is happy, one cannot be rectified; if one is worried, one cannot be rectified. If one's heart is not there, one will not see, hear, or taste. This is called self-cultivation is to rectify one's heart.

Yu Zisong's poem He Qiao said: "They are as dense as thousand-foot-high pines. Although they are piled up, they have branches. If they are placed in a building, they can serve as pillars."

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

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Minor burial, the host sits in the room, the mistress faces east, and then burial. Final burial, the host jumps, and the mistress does the same. The host exposes his hair and wears hemp, while the lady wears her hair in a bun and wears hemp in the room. The curtains are removed, and men and women carry the corpse to the hall and bow down: the king bows to the guest of state and the ministers and scholars bow to the ministers and ministers at their seats, and bow three times beside the scholar; the lady also bows to the lady of the king in the hall, the wife of the minister and the scholar's wife bows specially, and the lady bows to all the guests in the hall. When the host takes the throne, he wears a sash and dances. In the case of the mother's death, he takes the throne and takes off his clothes, then he offers a sacrifice. The mourners wear fur coats, add a military sash and sash, and dance with the host. In the case of the king's death, the Yu people bring out wooden horns, the Di people bring out pots, and the Yong people bring out tripods. The Sima hangs them, and the officials take the place of mourning. The officials who take the place of mourning do not hang pots, and the scholars who take the place of mourning do not use officials. The king's hall has two candles on the top and two candles on the bottom, the senior officials have one candle on the top and two candles on the bottom, and the scholars have one candle on the top and one candle on the bottom. The guests go out and clear the curtains. Cry for the corpse in the hall, the host is in the east, the outsiders are in the west, and the women face the south. Women do not go down the hall to greet or see off guests, and do not cry when they go down the hall; men do not cry when they see people outside the bedroom. If there is no female host, the male host bows to the female guest inside the bedroom door; if there is no male host, the female host bows to the male guest at the steps below the east. If the child is young, he will be held in mourning clothes, and people will bow for him; if the latter is not present, the person with a title will decline, and the person without a title will bow for him. If it is within the inner chamber, then wait for it; if it is outside the inner chamber, then the funeral can be done. There is no funeral without a successor, but there is no funeral without a master.

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