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Kong Pushe was the attendant of Emperor Xiaowu, and was invited to visit Emperor Liezong's tomb in advance. Kong was the Minister of Rites at the time. He was thin and frail, and wore heavy mourning clothes. He cried all day long, and those who saw him thought he was a truly filial son.
Ritual: In the mourning of mourning with mourning clothes, one should only speak but not answer; in the mourning of mourning with mourning clothes, one should answer but not speak; in the mourning of great merit, one should speak but not discuss; in the mourning of small merit, one should discuss but not play music.
When Guo Zhaozi's mother died, he asked Zi Zhang, "At the funeral and tomb, what positions should men and women take?" Zi Zhang said, "At the funeral of Si Tu Jingzi, Confucius was the prime minister, and men faced west and women faced east." He said, "Ah! No." He said, "At my funeral, Si was involved. You are responsible for it, the guests are guests, the host is the host--women and men all face west."
Zixia said: "The parents of the people have been heard, and I dare to ask what the 'five ultimates' are?" Confucius said: "Where the will reaches, poetry also reaches. Where poetry reaches, ritual also reaches. Where ritual reaches, music also reaches. Where music reaches, sorrow also reaches. Sorrow and joy are born from each other. Therefore, if you look at it with your eyes straight, you can't see it; if you listen to it with your ears attentively, you can't hear it; the will fills the heaven and the earth, this is called the five ultimates. ”
Someone asked: "What is a cane?" The answer is: bamboo and tung are the same. So for the father, a cane is made of bamboo; for the mother, a cane is made of tung.
Zi Zhang was ill, so he summoned Shen Xiang and said to him: "A gentleman says 'end', a villain says 'death'; I am almost there today!" Zeng Zi said: "The first funeral is held, and the rest is held in the pavilion?" Zeng Zi said: "For small merits, there is no position, it is the etiquette of the alley. When Zi Si cried for his sister-in-law, it was a position, and women danced; when Shen Xiang cried for Si, it was the same."
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
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