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Urban Supreme God of War

As for a man, he sits like a corpse and stands like a monk. Etiquette should be in accordance with what is appropriate, and officials should follow customs. Rituals are used to determine closeness and distance, resolve suspicions, distinguish similarities and differences, and make clear right and wrong. Etiquette means not speaking ill of others and not refusing expenses. Etiquette means not exceeding the limit, not being invasive, and not being too intimate. Cultivating oneself and putting one's words into practice is called good deeds. Practicing, cultivating, and speaking the truth are the essence of etiquette. We hear about learning from others, not about learning from others. Etiquette is learned from those who come to learn, not from those who go to teach.

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The way of heaven is the highest teaching, and the sage is the highest virtue. Above the temple hall, the Lei Zun is in the east, and the Xi Zun is in the west. Below the temple hall, the Xian Gu is in the west, and the Ying Gu is in the east. The king is in the east, and the lady is in the room. The sun is born in the east, and the moon is born in the west. This is the division of yin and yang, and the position of husband and wife. The king drinks from the Xi Xiang in the west, and the lady drinks from the Lei Zun in the east. The interaction of rituals moves above, and the interaction of music responds to below, which is the ultimate harmony. Rituals are to reflect what they are born from; music is to enjoy what they are made from. Therefore, the ancient kings established rituals to regulate affairs and cultivate music to guide their will. Therefore, by observing their rituals and music, we can know whether they are in order or not. Qu Boyu said: "A gentleman is a man of great ability, so by observing his utensils, we can know his skill; by observing his hair, we can know his wisdom." Therefore, it is said: "A gentleman is careful about what he gives to others."

Starting from taking charge of Hongmeng, fishing in the heavens

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The small burial is inside the house, and the big burial is in the east. The king uses bamboo mats, the senior officials use cattail mats, and the scholars use reed mats. Small burial: cloth twisted, one shrunken and three horizontal. The king has a brocade quilt, the senior officials have a white quilt, and the scholars have a black quilt, all one. The clothes are nineteen pieces, the king displays the clothes in the east of the order; the senior officials and scholars display the clothes in the room; all have the west collar and the north. Twisted and spun silk are not in the list. Big burial: cloth twisted, three shrunken and five horizontal, cloth and spun silk quilts. The king, the senior officials and scholars have one. The king displays his clothes in the courtyard, with a hundred pieces, and the north collar goes up to the west; the senior officials display their clothes in the east of the order, with fifty pieces, and the west collar goes up to the south; the scholars display their clothes in the east of the order, with thirty pieces, and the west collar goes up to the south. The twisted silk is like the court dress, twisted into three pieces, without opening, and silk is five pieces, without tucks. The clothes for the small burial are not turned upside down. The king has no tucks, and the senior officials and scholars finish the sacrificial clothes of the host; the clothes of relatives are not displayed immediately after receiving them. For the small burial, the king, the senior officials and scholars all use double clothes and double quilts; for the large burial, the king, the senior officials and scholars have no number of sacrificial clothes. The king has pleated clothes and pleated quilts, and the senior officials and scholars are the same as the small burial. The robe must have a cover, not a fold, and the clothes must have a skirt, which is called a one-piece. All clothes are filled in the box, and those who take the clothes also go up with the box, and those who go down from the west steps. All clothes are displayed without bending, and they are not allowed to be put in unless they are arranged in a row, and silk and linen are not allowed to be put in.

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Zengzi asked, “In ancient times, when a teacher traveled, did he have to move the temple master?” Confucius said, “When the emperor went on a tour, he moved the temple master and carried him in a Qi carriage, which means that he must have a dignified one. Now, if you take the masters of the seven temples with you, you will lose this. There should be no empty masters in the seven temples and the five temples. The empty masters are only when the emperor dies, the princes die, or leave their countries, and when offering sacrifices to the ancestors, there is no master. I heard from Lao Dan that when the emperor dies or the monarch dies, the celestial priest takes the masters of the temples and hides them in the temples of the ancestors. This is a ritual. After the mourning is over, the masters return to their temples. When the monarch leaves his country, the great minister takes the masters of the temples and follows him. This is a ritual. When offering sacrifices to the ancestors, the celestial priest welcomes the masters of the four temples. The master must ride in a carriage when leaving or entering a temple. Lao Dan said. ”Zengzi asked, “In ancient times, when a teacher traveled, he did not move the master, so who was the master?” Confucius said, “The master commands. ” Asked, “What does it mean?” Confucius said, “When the emperor and the princes are about to go out, they must inform their ancestors with coins, silk, leather and jade, and then carry them out on the Qi carriage. Every time they leave, they offer sacrifices before returning to their homes. When they return, they must inform, set up sacrifices, collect coins and jade, and hide them between the two steps before leaving. This is because of the noble destiny.”

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In the first month of spring, the sun is in Yingshi, the sun is at the middle of the zodiac, and the sun is at the middle of the zodiac. The days are Jia and Yi. The emperor is Dahao, and the god is Jumang. The insect is scale. The note is Jiao, and the musical scale is Dachu. The number is eight. The taste is sour, and the smell is rancid. The sacrifice is offered to the door, and the spleen is sacrificed first.