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At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
When Wang Xiaobo was traveling in Beijing, he came to his brother Wang Du's house and asked, "Which line in ancient poetry is the best?" Du thought for a moment but did not answer. Xiao Bo chanted, "'How can I not age quickly if I encounter things without a reason?' This line is good."
Generally speaking, everything born between heaven and earth is called fate. All things that die are called broken; people who die are called ghosts; this is what has not changed in the Five Dynasties. The reason why the Seven Dynasties have changed is to worship the gods, suburbs, ancestors, and ancestors; the rest remain unchanged.
Someone asked Gu Changkang: "How does your Zheng Fu compare to Ji Kang's Qin Fu?" Gu said: "Those who don't appreciate it will pass it down after it is written. Those who have deep knowledge will also value it for its elegance and uniqueness."
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