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People at that time saw "Xiahou Taichu as bright as the sun and the moon in one's arms, while Li Anguo as decadent as a jade mountain about to collapse."
When Wang Pingzi was sent out to be the governor of Jingzhou, Taiwei Wang and other wise men came to see him off promptly. At that time, there was a big tree in the courtyard, and there was a magpie's nest on it. Pingzi took off his clothes and towel, and went up the tree to pick the magpie. The cool clothes were caught on the branches and then taken off. When the magpie returned, he played with it, looking calm and composed, as if no one was around. The Taoist priest sat high above the Prime Minister and always lay beside him. When he saw Bian Ling, he changed his expression and said, "He is a man of etiquette."
Xiahou Taichu once wrote while leaning against a pillar. It was raining heavily at the time, and a thunderbolt broke the pillar he was leaning against. His clothes were burnt, but his expression remained unchanged, and his book was also intact. The guests around were all stumbling and unable to stop.
Gu He first worked as an official in Yangzhou. It was the first day of the lunar calendar. Before dawn, he parked his car outside the city gate. The Marquis of Zhou went to see the Prime Minister, and sat beside the carriage. And looking for lice, he remained motionless. After Zhou had passed by, he returned and pointed to Gu Xin and asked, "What is there in this place?" Gu was still scratching his lice. Xu Ying said, "This is the most unfathomable place." After Zhou Hou entered, he said to the Prime Minister, "There is a talented person among the officials in your state."
When Pei Lang wrote "Yu Lin" (Words in the Forest), it was widely known far and wide when it first came out. At that time, young people all copied it and each had one. It is recorded that Wang Dongting wrote a poem "Presented to the King's Drunken Master" which was very talented and sentimental.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Zeng Zi asked: "What should be done if there is a funeral? What comes first and what comes later?" Confucius said: "In the funeral, the light is first and then the heavy; the offering is first and then the light; it is a ritual. From the beginning to the funeral, there is no offering, and there is no mourning during the funeral; after the funeral, there is an offering, and then say goodbye to the funeral, and then do the funeral. The funeral is first heavy and then light, which is a ritual." Confucius said: "Even if the son of the clan is seventy, there is no one without a mistress; if he is not a son of the clan, it is okay even if he has no mistress."
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