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When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
Huan Xuan asked Liu Taichang, "How am I compared to Xie Taifu?" Liu replied, "You are noble, while Taifu is profound." He asked again, "How am I compared to my virtuous uncle Zijing?" Liu replied, "Hawthorn, pear, orange, and grapefruit each have their own merits."
Huan Xuan once climbed up to the southern tower of Jiangling City and said, "I want to write a eulogy for Wang Xiaobo now." He chanted and whistled for a long time, and then began to write. I took a moment to sit and write this eulogy.
Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."
The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.
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