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Pei Chenggong wrote Chongyoulun, which was criticized by people at that time, but no one could refute it. Only Wang Yifu came, like Xiao Qu. People at that time found it difficult to justify Wang Li, but Li was reiterated.
Emperor Ming asked Zhou Boren: "What is his true height like?" He replied: "I am a thousand-jin tall." The prince laughed at his words. Bo Ren said: "It is better to use a curled-horn ox, which is worse than a coiled ox."
When Zigong asked about mourning, Confucius said, "Respect is the best, grief is the next, and thinness is the worst. The color of the face reflects the feelings; the sorrowful expression reflects the clothes." When asked about the mourning of brothers, Confucius said, "The mourning of brothers is recorded in the books and strategies. "A gentleman does not take away the mourning of others, nor should he take away his own mourning. Confucius said: "Shaolian and Dalian are good at mourning. They do not get tired for three days and do not stop for three months. They are sad for a long time and worried for three years. They are the sons of Dongyi. ”
Huan Xuan went to Yin in Jingzhou. Yin was sleeping during the day in his concubine's room, and his attendants refused to see him. When Queen Huan mentioned this, Yin said, "I didn't sleep at first. Even if there was this, wouldn't it be 'the virtuous can change the color'?"
Shan Jilun was the governor of Jingzhou, and he often went out for fun. People composed a song about it, saying: "Shan Gong was drunk once, and went straight to Gaoyang Pond. He returned home without a care in the world, and knew nothing about tea. He could ride a fine horse, and chopsticks upside down on the fence. He raised his hand and asked Ge Qiang, how he compared to the boy from Bingzhou?" Gaoyang Pond is in Xiangyang. Qiang was his favorite general, and was from Bingzhou.
Wang Ziyou went to see Mr. Xie and asked, "What is a seven-character poem?" Ziyou answered, "It is as majestic as a colt that can run a thousand miles, and as light as a duck in the water."
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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