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Once in love

When the wife is about to give birth to a child, and the month is coming, she will live in the side room. The husband will send someone to ask her twice a day. She will get up and ask herself. The wife dare not see her. She will ask her mother to dress and answer. When the child is born, the husband will send someone to ask her twice a day. The husband will not enter the side room when he is ready. When the child is born, men will set up bows on the left side of the door, and women will set up veils on the right side of the door. After three days, they will start to carry the child. Men will shoot women. When the king's heir is born, he will inform the king and receive a large sacrifice. The butler will be in charge of the preparations. After three days, the fortune teller will carry the child. The lucky person will stay outside the bedroom door in the morning clothes. The poet will carry the child and shoot people with mulberry bows and six arrows. Shoot the four directions of heaven and earth. The butler will carry the child. The butler will carry the child and give him a bundle of silk. The fortune teller's wife and the official's concubine will feed the child. Whenever a child is received, a day is chosen. For a child born in the twelfth month, a large sacrifice is given. For common people, a pig is given. For scholars, a pig is given. For officials, a small sacrifice is given. For the prince's son, a large sacrifice is given. For those who are not born in the twelfth month, the sacrifice is reduced by one level. The child is placed in a room in the palace. From the various mothers and suitable ones, the one who is generous, kind, gentle, respectful, cautious and taciturn is selected to be the child's teacher. The next best is the loving mother. The next best is the nanny. They all live in the child's room. Others do not go there unless there is something to do. At the end of March, a day is chosen to cut the hair into a bun. The boy's hair is tied in a corner and the girl's hair is tied in a bun. Otherwise, the boy's hair is tied on the left and the girl's hair is tied on the right. On this day, the wife presents the child to the father. The nobles dress the children. From the officials and below, everyone washes their hair. Men and women get up early, bathe, dress, and prepare food for the first day of the month. The husband enters the room and ascends the steps to the east. He stands in the west of the east. The wife holds the child out of the room and stands in front of the lintel facing east. The mother-in-law said, "Mother, I dare not use the time to see the child." The husband replied, "The emperor has a general." The father held the son's right hand, coughed and named him. The wife replied, "I have written it down." Then he turned his left hand back and gave it to the teacher. The son's teacher told the names of all the wives and mothers, and the wife went to bed. The husband told the name of the prime minister, and the prime minister told the names of all the men. They wrote: "Born on such and such a day in such and such a year." Then they hid it. The prime minister told the village historian. The village historian wrote two books, one of which was hidden in the village government and the other was presented to the state historian. The state historian presented it to the state earl, and the state earl ordered it to be hidden in the state government. The husband went to eat as if he was raising a child. When the prince was born, the king bathed and dressed in court clothes, and the wife did the same. They all stood on the west side of the steps. The wife of the prince held the child and went up from the west steps. The king named him and then went down. When the son and the concubine met in the outer bedroom, they stroked their heads and coughed and named them. The etiquette was the beginning of the general, and there was no remark. In naming a son, one should not use the date or month, state or hidden illness as the name; the son of an official or scholar should not have the same name as the crown prince. When a concubine is about to give birth to a son, and the month and day are up, the husband should have someone ask about it every day. At the end of the third month, the son should wash his head and get ready in the morning, and be seen in the inner bedroom, with the same etiquette as when he first enters the room. After the king has finished eating, he should be allowed to eat before entering the palace. When a son of a duke or a concubine is born, he should go to a concubine's room. At the end of the third month, his mother should bathe and wear court clothes and go to the king. The banished son should go to the king with his son, and the king should give him a name according to the king's gifts. If there are multiple sons, the officials should name them. If a commoner does not have a concubine, and the month and day are up, the husband should go out to live in the group room, and the way he asks about his son should be the same as the way a son goes to his father. When the father is alive, the grandson should go to the grandfather, and the grandfather should also name him, with the same etiquette as a son goes to his father, without any excuse. A son who feeds his son should go out after three years, and if he is seen in the palace of the duke, he should be punished. The son of an official should feed his mother, and the wife of a scholar should raise her son herself. The sons of officials above the rank of a rank and above, and of officials, are to be seen every ten days. When a son of a family is seen before he has eaten, he must hold his right hand. When a son of a concubine is seen after he has eaten, he must touch his head. When a son can eat, he is taught to eat with his right hand. When a son can speak, he is only allowed to hold his right hand, while a son is allowed to hold his right hand. A son is allowed to wear a leather belt, while a daughter is allowed to wear a silk belt. At the age of six, he is taught the numbers and names of the directions. At the age of seven, men and women are not allowed to sit at the same table, nor to eat together. At the age of eight, when they enter and leave the house or eat at a table, they must follow the elders, and they are taught to yield. At the age of nine, they are taught for several days. At the age of ten, they are to go out to a tutor, live and sleep outside, learn to write and calculate, wear a silk jacket or trousers, and learn the etiquette of the young day and night. Please study and understand. At the age of thirteen, they learn music, recite the Book of Songs, and dance the Spoon. When they become children, they dance the Elephant, and learn archery and charioteering. At the age of twenty, they are allowed to wear fur and silk, dance the Great Summer, and practice filial piety and brotherhood. They are knowledgeable but not taught, and stay at home. At the age of thirty, they are allowed to have a wife, and they are allowed to manage male affairs. They are knowledgeable but have no method, and their grandchildren look at their ambitions. At forty, one begins to serve in the government. One must make plans and consider the situation. If one agrees with the way, one must obey. If one disagrees, one must leave. At fifty, one must be appointed as a senior official and serve in the government. At seventy, one must start work. All men worship with the left hand. For a girl who has not been out for ten years, her mother will teach her to be gentle and obedient. She must handle hemp and linen, process silk cocoons, weave ropes, learn women's affairs, share clothes, watch sacrifices, offer wine, food, and pickles, and help with offerings. At fifteen, she comes of age. At twenty, she gets married. If she has a wife, she gets married at twenty-three. If she marries, she becomes a wife. If she runs away, she becomes a concubine. All women worship with the right hand.

Nightmare Eyes

Zhang Ping recommended him as a filial and honest official and sent him out of the capital. He was so proud of his talent that he said he would be among the great men of the time. When he wanted to see Liu Yin, his fellow villagers and those who had made the same decision laughed at him. Zhang then went to Liu. Liu Xizhuo was in charge of the affairs, sitting in the office, only aware of the cold and heat, and his mind was not in tune with it. Zhang wants to act spontaneously without any reason. Soon, the Chief Secretary and other wise men came to give clear advice. When there was a disagreement between the host and the guest, Zhang would judge from a distance, sitting at the end of the table. His words were concise but profound, and were enough to express the thoughts of both parties. Everyone in the room was amazed. Zhen Changyan sat on the top and talked all day long, so he stayed overnight until dawn. When Zhang retreated, Liu said, "You go now. I will take you to Fujun together." Zhang returned to the boat and asked his friend where to stay. Zhang smiled but did not answer. Soon, Zhenchang sent missionaries to find Zhang Xiaolian's boat, and his companions were shocked. They were taken to Fujun together. When they arrived at the gate, Liu Qianjin said to Fujun, "Today I have found a brilliant choice of Doctor of the Ministry of Rites for you!" When he went forward, Fujun talked to him, praised him and said, "Zhang Pingbo is a master of reasoning." He then appointed him as Doctor of the Ministry of Rites.

Chronicle of Qingxi

The invincible system of the alien world

All sounds arise from the human heart. The movement of the human heart is caused by things. It is moved by things, so it is shaped in sound. When sounds respond to each other, they change; when they change into squares, they are called music; when sounds are compared and they are enjoyed, such as with the use of halberds, shields, feathers and pennants, they are called music. Music is the origin of sound; its root lies in the human heart's feeling of things. Therefore, when the heart is moved by sorrow, the sound is sad and killing. When the heart is moved by joy, the sound is biting and slow. When the heart is moved by joy, the sound is spreading and dispersing. When the heart is moved by anger, the sound is rough and harsh. When the heart is moved by respect, the sound is straight and honest. When the heart is moved by love, the sound is harmonious and gentle. The six are not innate, but are moved by things before they are moved. Therefore, the ancient kings were careful about what they were moved by. Therefore, rites were used to guide people's aspirations, music was used to harmonize their sounds, politics was used to unify their actions, and punishments were used to prevent their treachery. Rites, music, punishments and politics have the same ultimate; they are used to unify the hearts of the people and to create the way of governance. All sounds are what give rise to the human heart. Emotions move in the heart, so they are expressed in sounds. When sounds become texts, they are called music. Therefore, the music of a well-governed country is peaceful and joyful, and its politics is harmonious. The music of a chaotic country is resentful and angry, and its politics is perverse. The music of a ruined country is sad and thoughtful, and its people are in distress. The way of music is connected with politics. Gong represents the ruler, Shang represents the ministers, Jiao represents the people, Zheng represents the affairs, and Yu represents things. If the five are not in disorder, there will be no music of humiliation. When Gong is in disorder, there will be desolation, and the ruler will be arrogant. When Shang is in disorder, there will be dystopia, and the officials will be corrupt. When Jiao is in disorder, there will be worry, and the people will be resentful. When Zheng is in disorder, there will be sorrow, and the affairs will be diligent. When Yu is in disorder, there will be danger, and the money will be scarce. When the five are in disorder, and they bully each other, it is called slowness. If this happens, the country will be destroyed soon. The music of Zheng and Wei is the music of a chaotic country, which is comparable to slowness. The music of Sangjian and Pushang is the music of a ruined country, and its politics is scattered, its people are wandering, and they accuse the ruler of selfishness and cannot be stopped. All music is born from the human heart. Music is the communication of ethics. Therefore, those who know sound but not music are animals; those who know music but not music are the common people. Only the gentleman can know music. Therefore, if you examine sound, you can know music; if you examine music, you can know politics, and then the way of governance will be complete. Therefore, those who do not know sound cannot talk about music; those who do not know music cannot talk about music. Knowing music means that you are close to etiquette. If you are good at both etiquette and music, you are called virtuous. Virtue is good. Therefore, the grandeur of music is not to extreme music. The etiquette of feasting is not to taste. The zither in the Qing Temple has red strings and sparse Yue, one song and three sighs, which have lost the sound. The ceremony of the grand feast, the dark wine is preferred and the fish is fishy, ​​the soup is not harmonious, which has lost the taste. Therefore, the ancient kings established etiquette and music not to extreme the desires of the mouth, the ears and the eyes, but to teach the people to balance likes and dislikes and return to the right way of humanity. People are born quiet, which is the nature of heaven; they are moved by things, which is the desire of nature. When things come to know, then likes and dislikes take shape. If likes and dislikes are not controlled within, and knowledge is lured from the outside, and one cannot reflect on oneself, then the principles of nature will be destroyed. Things can affect people endlessly, but people's likes and dislikes are uncontrolled, then when things come, people will become things. People who become things are those who destroy the principles of nature and reduce people's desires. Then there will be rebellious and deceitful hearts, and there will be lewd and rebellious things. Therefore, the strong bully the weak, the majority bully the few, the wise deceive the foolish, the brave suffer and are timid, the sick are not taken care of, and the old and the young are lonely and have no place to go. This is the way to great chaos. Therefore, the ancient kings established rituals and music, and people regulated them; mourning clothes and weeping were used to regulate funerals; bells, drums, and halberds were used to harmonize and make people happy; the wedding and marriage ceremony were used to distinguish between men and women; archery and feasting were used to regulate intercourse. Rituals regulate the hearts of the people, and music harmonizes the voices of the people. Politics implements them, and punishments prevent them. Rituals, music, punishments, and politics are spread everywhere without contradiction, and then the kingly way is complete. Music is the same, and rituals are different. If they are the same, they will love each other; if they are different, they will respect each other. If music prevails, they will flow together; if ritual prevails, they will separate. To match feelings and decorate appearances is the business of ritual and music. When ritual and righteousness are established, the noble and the humble are equal; when music and culture are the same, the upper and the lower are harmonious; when likes and dislikes are clear, the virtuous and the unworthy are distinguished. Punish violence, and give titles to the virtuous, and the government will be balanced. Love them with benevolence, and correct them with righteousness. In this way, the people will be governed. Music comes from within, and ritual comes from without. Music comes from within, so it is quiet; ritual comes from without, so it is elegant. Great music must be simple, and great ritual must be simple. When music comes, there is no resentment; when ritual comes, there is no dispute. To rule the world with courtesy and yielding is what ritual and music are. There will be no violence, the princes will be submissive, there will be no war, the five punishments will not be used, the people will not be in trouble, and the emperor will not be angry. In this way, music will be achieved. The relationship between father and son will be unified, the order of the old and the young will be clear, and the emperor will be respected throughout the world. In this way, ritual will be practiced. Great music is in harmony with heaven and earth, and great ritual is in harmony with heaven and earth. Because of harmony, all things are not lost; because of moderation, heaven and earth are worshipped; in the light, there are rituals and music; in the dark, there are ghosts and gods. In this way, all people in the four seas will respect and love each other. Rituals are different things that make people respect each other; music is different texts that make people love each other. The meaning of rituals and music is the same, so the wise kings follow them. The story is in line with the times, and the name is in line with the merit. Therefore, bells, drums, pipes, and chimes, feather flutes, and halberds are instruments of music. Bending and stretching, bowing and raising, and composing signs and slowing down are the texts of music. 簠簋翎碗, system and articles are instruments of ritual. Rising and falling, turning around and returning, and carrying clothes are the texts of ritual. Therefore, those who know the meaning of rituals and music can create, and those who know the texts of rituals and music can describe. The author is called a sage, and the narrator is called a wise; the wise sage is the one who describes and creates. Music is the harmony of heaven and earth; ritual is the order of heaven and earth. Because of harmony, all things are transformed; because of order, all things are different. Music is created by heaven, and ritual is made by earth. Over-regulation leads to chaos, over-exertion leads to violence. Only when one understands the heaven and earth can one promote rituals and music. Discussing ethics without worry is the emotion of music; being happy and loving is the function of music. Being upright and impartial is the essence of rituals, and being solemn, respectful and obedient is the regulation of rituals. If rituals and music are applied to metal and stone, and go beyond sound, and are used in ancestral temples and altars, and in matters of mountains, rivers, ghosts and gods, then this is what the people share.

Can we have some plot?

Men and women do not sit together, use the same shackles and towels, or combs, and are not taught in person. The sisters-in-law and uncles do not ask about each other, and the mothers do not wash their clothes. External words do not enter the bundle, and internal words do not leave the bundle.

The City's Evil Youngster

When Confucius passed by the side of Mount Tai, a woman was crying at a grave. Confucius stood up and listened to her. He asked Zilu to ask her, "Your crying seems to be deeply worried." She said, "Yes, my uncle died of a tiger in the past, my husband also died there, and now my son has died there too." The Master asked, "Why don't you leave?" She said, "No harsh government." The Master said, "My boy, you know it. Harsh government is more fierce than a tiger."