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The emperor's altars and grains are all large sacrifices, while the altars and grains of the princes are all small sacrifices. The sacrifices of the officials and scholars to the ancestral temples are offered if they have land, and offered if they do not have land. The common people offer leeks in spring, wheat in summer, millet in autumn, and rice in winter. Leeks are offered with eggs, wheat with fish, millet with pigs, and rice with geese. The cattle used to offer sacrifices to heaven and earth have cocoons and chestnuts in their horns; the cattle used to offer sacrifices to the ancestral temples have horns with handles; the cattle used to offer sacrifices to guests have horns with rulers. The princes shall not kill cattle without reason, the great officials shall not kill sheep without reason, the scholars shall not kill dogs and pigs without reason, and the common people shall not eat delicacies without reason. The common people shall not eat more delicacies than animals, the clothes for banquets shall not exceed the clothes for offering sacrifices, and the sleeping places shall not exceed the temples.

At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

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Ishige Mitsutane

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Kong Wenju had two sons, the elder one was six years old and the younger one was five years old. While his father was sleeping during the day, the younger one would steal wine from the bedside and drink it. The eldest son asked, "Why don't you bow?" He replied, "I stole, so how can I bow?"

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Bi Maoshi said: "Holding the crab claw in one hand and the wine glass in the other, floating in the wine pool, is enough for one's life."

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When the Grand Tutor, Prince Donghai, was stationed in Xuchang, he appointed Wang Anqi as the secretary and military officer, and they had a good relationship and respected each other. He ordered the Crown Prince Pi, saying, "The benefits of learning are shallow, while the comfort of the body is profound. It is better to observe the etiquette and manners carefully than to practice them casually. It is better to receive the emperor's will in person than to savor his words. General Wang is the model of human relations, you should learn from him!" Someone said, "General Wang, Zhao and Deng are the models of human relations, you should learn from them!" He was referring to Anqi, Deng Bodao and Zhao Mu. Yuan Hong wrote the Biography of Famous Scholars and mentioned Wang Canjun. Some say that the Zhao family still has this copy.

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Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.

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