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When attending the funeral of the mother, face west and cry until he is exhausted, pull up the hair and bare the body, go down to the east of the hall and take the seat, cry to the west, dance, wear a mourning robe and take off the mourning robe in the east of the order, bow to the guest and see off the guest as before. The ritual of visiting one’s father is to cry again without tying up one’s hair. When a woman attends a funeral, she ascends from the east steps, goes to the east, sits facing west, cries out her sorrow, wears her hair in the east bun, takes the throne, and dances with the host. A woman who attends a funeral does not attend the funeral, but goes to the tomb first, sits facing north, cries out her sorrow. The host is waiting for her, so she sits on the left side of the tomb, and the woman on the right side of the tomb. After she finishes her mourning, she ties up her hair, takes the host’s seat in the east, wears a mourning sash and a belt, cries out her sorrow, pays respect to the guest, returns to her seat, finishes her dance, and the attendant announces that the matter is complete. Then she wears a crown and goes home, enters the door on the left, faces north. After crying out loud, the host will tie up his hair and bare his clothes, then take the throne in the east, bow to the guest and dance. When the guest leaves, the host will bow to see him off; if there is a guest who arrives later, the host will bow to him and dance; and see the guest off as before. All the host's brothers will go out, and when they leave, they will stop crying, and the attendant will tell them to take their turn. After crying again, the host will tie up his hair and dance; after crying for the third time, the host will tie up his hair and dance again. After three days, the mourning period will be completed, and after crying for the fifth time, the attendant will tell them that the matter is over. For the mother, who is different from the father, one part of the hair is tied up, and the rest is exempted from the funeral, and the rest is the same as the funeral of the father.

Huan Xuanwu ordered Yuan Yanbo to compose the Northern Expedition Fu. After it was completed, the Duke and other wise men of the time read it together, and they all sighed with admiration for it. Wang Xun was sitting there at the time and said, "I regret that there is one sentence missing. If the word 'write' had enough rhyme, it would have been better." Yuan immediately took up his pen and said, "My feelings are endless, and I write alone to follow the flow of the style." The Duke said to Wang, "The people today have to praise Yuan for this."

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The female supporting character in the book is so handsome

Lao Gui

Bo Gao died in Wei and went to Confucius. Confucius said: "Why should I cry? For my brothers, I cry in the temple; for my father's friends, I cry outside the temple gate; for my teacher, I cry in the bedroom; for my friends, I cry outside the bedroom door; for my acquaintances, I cry in the wild. In the wild, it is already distant; in the bedroom, it is already important. Since You Ci came to see me, I cried to Ci's family." Then he ordered Zigong to be the host and said: "If you come to cry for you, bow to him; if you know that Bo Gao came, don't bow."

Wang Dachui's Movie

Yinqingtan

○□○○○□□○○□□○○□□○○□□○. Half; ○□○○○□□○: Xue drum.

Big star's bodyguard

Shen Wu

Reverse Love

Fu Changdiao

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

Rebirth of Yunniang

Song Derun

If the heart is free of dust

Wu Ma Zhigang

Mr. Lin said: "Seeing the Sizhou police coming to the rescue, making it impossible for people to stay, I also forgot my fatigue all day long."

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