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Xi Chongxi wrote to Xie Gong, saying: "Wang Jingren heard that a young man aspires to ascend the throne. I wonder if Duke Huan's virtue has declined, and if he is afraid of the younger generation's restoration?"
The prime minister of Wang said lightly to Duke Cai, saying, "I traveled to the Luoshui River with Anqi and Qianli. Where can I hear of Cai Chong'er?"
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Emperor Wu of Wei once passed by the Cao'e stele, and Yang Xiu followed him. On the back of the stele there was an inscription of eight characters: "young woman with yellow silk, grandson Jue". Wei Wu asked Xiu, "Do you understand it?" Xiu replied, "I understand." Wei Wu said, "You can't tell me yet. Let me think about it." After walking for thirty miles, Wei Wu said, "I have figured it out." He asked Xiu to write down what he had learned. Xiu said: "Yellow silk is colored silk, and the word for it is absolutely perfect. Young woman is a young girl, and the word for it is wonderful. Grandson is a girl, and the word for it is good. Juejiu is suffering, and the word for it is words. This is what is called 'absolutely wonderful and good words'." Wei Wu also memorized it, and he agreed with Xiu, so he sighed and said: "I am not as talented as you, and I feel thirty miles behind."
Burning wood in Taitan is a sacrifice to heaven; burying in Taizhe is a sacrifice to the earth; using a calf. Burying a young cattle in Taizhao is a sacrifice to the time; being close to the Kantan is a sacrifice to cold and heat. The royal palace is a sacrifice to the sun; the night light is a sacrifice to the moon; the Youzong is a sacrifice to the stars; the Yuzong is a sacrifice to floods and droughts; the four Kantans are sacrifices to the four seasons. Mountains, forests, rivers, valleys, hills, clouds that can become wind and rain, and monsters that can be seen are all called gods. Those who have the whole world offer sacrifices to all gods. The princes offer sacrifices to the gods in their own lands, but not if they lose their lands.
The king's right army is in the south, the prime minister and the book, every sighing son and nephew do not order the cloud: "Tiger (dog tun), tiger calf, return it as it is."
In the last month of spring, the sun is in the stomach, the sunset is in the middle of the seven stars, and the dawn is in the middle of the morning star. It is the day of Jia and Yi. Its emperor is Dahao, and its god is Ju Mang. Its insect is scale. Its sound is Jiao, and its musical scale is Gu Xi. Its number is eight. Its taste is sour, and its smell is rancid. Its offering is to the door, and the first spleen. The tung tree begins to bloom, the field mouse turns into a quail, the rainbow begins to appear, and the duckweed begins to grow. The emperor lives in Qingyang Youge, rides on the Luan Road, drives the Canglong, carries the green flag, wears green clothes, and wears Cangyu. He eats wheat and sheep, and his utensils are sparse and clear.
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