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Zhong Yu and Zhong Hui were well-known since they were young. When he was thirteen years old, Emperor Wen of Wei heard about it and said to his father Zhong Yao, "You can order the two sons to come." So he ordered an audience with him. Yu's face was sweating. The emperor asked, "Why is your face sweating?" Yu replied, "I am trembling with fear and sweating like pulp." The emperor asked Hui again, "Why are you not sweating?" Hui replied, "I am trembling with fear and sweating like pulp."
The steward draws water, but does not twist it. He does not go up to the hall until the steps are up. He gives it to the driver. The driver takes a bath: four junior officials carry the quilt, and two drivers bathe. The water for bathing is a basin, the water for pouring is a ladle, the bathing is a gauze towel, and the stroking is a bathing robe, just like other days; the junior officials scratch the feet, and the remaining water is thrown into the pit. When the mother dies, the inner driver carries the quilt and bathes. The steward draws water and gives it to the driver. The driver bathes in the hall - the king bathes in liang, the senior official bathes in millet, and the scholar bathes in liang. The Dian people built a sieve under the west wall, the pottery people brought out the heavy cauldrons, the Guan people received the bath, and then cooked it. The Dian people took the firewood from the northwest of the temple and used it to cook. The Guan people gave the driver a bath, and then he bathed; he used a clay plate for bathing, and a towel for rubbing. As on other days, the small officials cut their hands and beards, wet and washed, and threw them on the ditch. The king set up a big plate to make ice, the senior officials set up a flat plate to make ice, and the scholars used clay plates without ice. They set up a bed and a pillow. One bed was covered, one bed was covered, and another bed was moved to the hall. There were pillows and mats for the king, senior officials, and scholars.
Zhong Shiji was a man of intelligence and talent, but he did not know Ji Kang at first. Zhong Yao and other talented and wise men of the time went to look for Kang. Kang Fang was forging iron under a big tree, and Xiang Ziqi was assisting him in beating the drums. Kang Yang continued to hammer as if no one was around, and did not say a word for some time. Zhong got up and left. Kang asked, "What did you hear and why did you come? What did you see and why did you leave?" Zhong said, "I came because I heard and I left because I saw."
When the emperor is about to leave, he should be like the God of Heaven, and he should go to the altar and make a sacrifice to the gods. When the princes are about to leave, they should go to the altar and make a sacrifice to the gods. When the emperor has nothing to do, he meets with the princes and calls it court. He examines the rites, corrects the punishments, and makes them respectful to the emperor. When the emperor gives music to the princes, he uses the cymbals to lead them. When he gives music to the dukes, the zithers, and the men, he uses the gongs to lead them. The princes are given bows and arrows before they go to war, and are given halberds before they kill. They are given jade tablets and jade jars before they make chang. If they are not given jade tablets and jade jars, they should provide chang to the emperor.
A gentleman is usually reserved. A gentleman is ashamed to prepare funeral supplies. A gentleman will not do anything that can be prepared in one or two days. In mourning clothes, the sons of brothers are treated as sons, and they should be welcomed and brought forward; the sisters-in-law and uncles have no mourning clothes, and they should be pushed away; the sisters-in-law and sisters are thin, and some people accept me and treat them well. Eating beside a mourning person, I have never been full.
Zixia said: "The five ultimates have been heard, and I dare to ask what the three nothings are?" Confucius said: "Music without sound, ritual without body, mourning without clothes, this is called the three nothings. "Zixia said: "I have heard the three "nothings" briefly. May I ask which poem is closest to them?" Confucius said: "'The life of the morning and the evening is to be forgiven and secret' is the music without sound. 'The dignity and manners are so great that they cannot be chosen' is the etiquette without form. 'When the people are in mourning, they crawl to save them' is the mourning without clothes."
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