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When Prime Minister Wang crossed the river, he said that he had often talked about Taoism with Pei Chenggong, Ruan Qianli and other wise men by the Luo River. Yang Man said, "I have promised you this a long time ago, why do you need it again?" The king said, "I didn't say I needed it, I just wanted it and it was not available at that time!"
The king does not take away the jade without a reason; the ministers do not hang the zither without a reason, and the scholars do not play the zither without a reason. If the scholars have made offerings to the king, the king will ask him the next day, "Where did you take it?" He will bow twice and then answer.
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.
When Huan Xuanwu died, Huan Nanjun was five years old and the mourning period had just ended. Huan's chariot and cavalry went to see off his former civil and military officials. He pointed to Nanjun and said, "These are all your family's former officials." Xuan responded by weeping loudly, and those around him were moved. The charioteer always looked at his own seat and said, "When Lingbao has grown up, this seat should be returned to him." He loved Ju more than his own son.
The rituals for women are established to make it clear that women are obedient, and they are also explained in order, so that women are required to be obedient. A submissive woman is obedient to her uncles and aunts, and harmonious with the family members; then she is responsible to her husband, and completes the affairs of silk, linen, cloth and silk, and carefully guards the accumulation and storage. Therefore, only when women are obedient can the family be harmonious and orderly; only when the family is harmonious and orderly can the family last long; therefore, the sage kings attach great importance to it.
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