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The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
Xie Gong said: "Liu Yin's words are very careful and detailed."
Zhi Gong loved cranes and lived in Shandong (Shanyin) Mountain. Someone left behind a pair of cranes. Soon, their wings grew large and they were ready to fly. Zhi felt sorry for it, so he clipped its wings. The crane could no longer fly, so it turned its wings and looked down, as if it was disappointed. Lin said: "Since you have the ability to soar into the sky, why would you be willing to be a plaything for people?" He raised the bird and let it fly away after its wings were fully grown.
When Emperor Yuan met Sikong He for the first time, he talked about the current affairs of Wu and asked, "Who is the one who was burned and sawed off by Sun Hao?" Sikong was unable to answer, and Emperor Yuan recalled, "It was He Shao." Sikong shed tears and said, "My father suffered injustice and was deeply hurt. I have no way to respond to the imperial edict." Emperor Yuan felt ashamed and did not go out for three days.
When Wang Youjun saw Du Hongzhi, he sighed and said, "His face is as white as cream, his eyes are as white as lacquer. He is a man of gods and immortals." At that time, some people praised Wang Changshi for his appearance. Cai Gong said, "It's a pity that people haven't seen Du Hongzhi!"
Generally speaking, everything born between heaven and earth is called fate. All things that die are called broken; people who die are called ghosts; this is what has not changed in the Five Dynasties. The reason why the Seven Dynasties have changed is to worship the gods, suburbs, ancestors, and ancestors; the rest remain unchanged.
When Gu Changkang painted people, he might not be able to paint their eyes well for several years. People asked why? Gu said: "The beauty of the body is irrelevant; the essence of the portrayal lies in the details."
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