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When Wang Yi Shao was in Kuaiji, when he first arrived, Zhi Daoling was there. Sun Xinggong said to Wang, "Zhi Daolin is an innovative and unique person with a broad mind. Do you want to meet him?" Wang had his own unique spirit and looked down on Zhi Daolin. Later, Sun and Zhi were carried together to Wang Xu, the king's capital, and they did not interact with each other. After a moment they retreated, and just as the king was about to set out, his carriage was already at the door. Zhi said to the king, "You can't leave yet. I want to talk to you a little." Then he talked about Zhuangzi's "Xiaoyaoyou". Zhi wrote thousands of words, with novel talent and brilliant words. The king then opened his collar and undressed, unable to stop lingering.
The Master said: “If it is easy for the superiors to do things and easy for the inferiors to understand, then the punishments will not be complicated.” The Master said: “If the virtuous are favored as in the “Black Clothes” and the evil are disliked as in the “Hang Bo”, then the titles will not be disrespected and the people will be willing, and the punishments will not be tested and the people will obey. The Great Odes say: ‘The punishments of King Wen are followed, and the nations will be faithful.’” The Master said: “If the people are taught virtue and regulated by rites, then the people will have a sense of discipline; if they are taught politics and regulated by punishments, then the people will have a sense of evasion. Therefore, if the ruler loves the people, then the people will be close to him; if he is trustworthy, then the people will not betray him; if he is respectful, then the people will have a respectful heart. The Fu Xing says: ‘The people are punished by fate and regulated by punishments. Only the five cruel punishments are called laws. Therefore, the people have bad virtues and are finally exterminated from the world. ’”
The brothers Wang Ziyou and Zijing appreciated the descendants of the great scholar and praised him together. Zi Jing admired Jing Dan's nobleness, and Zi You said, "I am not as scornful as Chang Qing."
The Xia Hou clan preferred black; for major funerals, the dusk was used, and for military affairs, the black horse was used for riding, and the black horse was used for sacrifice. The Yin people preferred white; for major funerals, the sun was at noon, and the Han was used for military affairs, and the white horse was used for sacrifice. The Zhou people preferred red; for major funerals, the sunrise was used, and the horse was used for military affairs, and the red horse was used for sacrifice.
Therefore, in ancient times, the emperor had a system that the princes offered tribute to the emperor every year, and the emperor tested them in the archery palace. Their appearance was comparable to the ritual, and their etiquette was comparable to the music. If they hit the target more, they could participate in the sacrifice. If their appearance was not comparable to the ritual, and their etiquette was not comparable to the music, and they hit the target less, they could not participate in the sacrifice. If they participated in the sacrifice more, the king would celebrate; if they did not participate in the sacrifice, the king would give way. If there were celebrations, the land would be increased; if there were ways of giving way, the land would be reduced. Therefore, it is said: Archery is for the princes. Therefore, the princes, the rulers and the ministers devote their efforts to archery to learn rituals and music. There has never been a ruler and the ministers who practiced rituals and music and then went into exile.
Why do people wear mourning clothes and wear hemp clothes? Hemp means an ugly appearance, so that the head is covered inside and can be seen outside. The appearance of mourning clothes is like hemp, the appearance of mourning clothes is like hemp, the appearance of mourning clothes for the great merit is like stopping, and the appearance of mourning clothes for the small merit and the mourning clothes is acceptable. This is the expression of sorrow in the face and body.
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