Kaiyuan Sports Chess and Cards

Qi Diao Xiaoning 842万字 106708人读过连载

《Kaiyuan Sports Chess and Cards》

Mr. Xi lived during the Yongjia Rebellion, and his hometown was very poor and hungry. The villagers praised his virtue and shared the feast with him. The Duke often brought his brother's son Mai and his aunt's two younger sons Zhou Yi to eat there. The villagers said, "We are all hungry and in need. Since you are a wise man, we want to help you. But we are afraid that we cannot save enough for both of us." So the Duke went to eat alone, and he always put rice on his cheeks and spit it out to his two children. Later they both survived and crossed the river together. After Duke Xi died, Yi was appointed as the county magistrate of Shan. After resigning from his post, he returned home and laid straw at the head of Duke Xi's bed, mourning for the whole three years.

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

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In the funeral of a king, if there is no small burial, he will leave as a guest of the duke; in the funeral of an official, if there is no small burial, he will leave at the order of the king; in the funeral of a scholar, he will leave without burial for an official. Whenever the host leaves, he goes barefoot, with his hem tied to his waist and his heart beat, and descends from the west steps. The king bows to the guest of state and the minister of honor at his seat; the minister, at the king's order, meets him outside the bedroom door; the messenger goes up to the hall to tell the death, and the host bows below; the scholar cries with the minister in person; he does not go against the door, the lady goes out for the lady of the king, the lady goes out for the lady's order, and the scholar's wife should not be buried, so the lady goes out.

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Also, the condolence ceremony of the princes is treated as if they were treated as princes. When the lady arrives, she enters from the gate and ascends from the side steps, while the prince is in the east. The rest is the same as the funeral ceremony. The sister-in-law does not caress the uncle, and the uncle does not caress the sister-in-law.

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