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Incredible Card House

The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.

The sky-high priced marriage contract and the secret marriage to the president are so perfect!

Gu Changkang worshipped Huan Xuanwu's tomb and composed a poem: "The mountains collapsed and the seas dried up, where will the fish and birds go?" Someone asked him: "You relied on Huan so much, can you see your crying?" Gu said: "My nose is like a wide wind, and my eyes are like a river bursting." Someone else said: "My voice is like thunder that breaks the mountain, and my tears are like a river pouring into the sea."

Self-cultivation of the fast-travelling wave

Kong Wenju had two sons, the elder one was six years old and the younger one was five years old. While his father was sleeping during the day, the younger one would steal wine from the bedside and drink it. The eldest son asked, "Why don't you bow?" He replied, "I stole, so how can I bow?"

The so-called beauty's blood lotus

At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.

Belle in the sun

Yan Ding was good at mourning: when he died, he was anxious as if he wanted to find it but couldn't get it; when he was buried, he looked around as if he wanted to follow but couldn't reach it; after the burial, he sighed as if he couldn't reach it and stopped.

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