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The great temple is the emperor's Mingtang. The storehouse gate is the emperor's Gaomen. The pheasant gate is the emperor's Yingmen. The sound of the wooden bell in the court is the emperor's policy. The mountain knots and the embroidery, the double eaves of the temple, the scraping of the pillars to reach the countryside, the reverse altar out of the vulture, the high altar Kanggui, and the sparse screens are the emperor's temple decorations.
When the guest asked Yue Ling about the "meaning not being reached", Yue Ling did not analyze the words, but just used the handle of the fly whisk to confirm the meaning and asked, "Is it reached?" The guest said, "Yes!" Yue Ling then raised the fly whisk again and said, "If it was reached, how could it be removed?" Then the guest understood and was convinced. Musical words that are concise but convey the meaning are all of this type.
Huan Xuanwu was born into a poor family. He lost a lot in a game of chess. His creditors demanded a lot of money from him. He wanted to find a way to get back on his feet, but he didn't know where to start. Yuan Dan of Chen County was handsome and versatile. Xuanwu wanted to ask for help from Dan, but Dan was in a difficult situation at the time and he was afraid that he would be suspected, so he tried to tell him. He agreed immediately without any regret. So he changed his clothes, put on a cloth hat and followed Wen, playing with his creditor. Tan had always been famous for his fine art, so the creditor came to the chessboard and said, "Why don't you do something like Yuan Yandao?" Then they started to play together. A throw of one hundred thousand can easily add up to millions. He threw his horse aside and shouted, as if no one was around. He raised his cloth cap and threw it to the man and said, "Do you know Yuan Yandao?"
Xun Xu once ate bamboo shoots and served rice on the seat of Emperor Wu of Jin, and said to the people sitting there, "This is the result of hard work in cooking with firewood." The people sitting there did not believe him, so they sent someone to inquire about it secretly, and found out that it was actually done with the carriage legs.
Family mourners do not worry about where to live, and ruins do not endanger their bodies. Famished people do not worry about where to live, because there is no temple; ruins do not endanger their bodies, because there is no offspring.
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