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Beauty Pendant

Zhongsun Jingwei

When Wen Bo died, Jing Jiang sat on his bed without crying, saying, "In the past, I had Si Zi, and I thought he would be a wise man, so I never went to the public office; now when he died, none of my friends and ministers shed tears, but the women in the house all cried loudly. Si Zi must have been very unruly!" When Ji Kangzi's mother died, he laid out his underwear. Jing Jiang said, "A woman who does not wear clothes dare not meet her parents-in-law. There will be guests from all over the world coming. Why should she display her underwear here?" She ordered to remove it.

Dress up as my beloved daughter

Ping Miaomeng

The curtain funeral is not an ancient practice, it started with Jing Jiang's crying for Mu Bo. Funeral is the utmost sorrow. To be moderate in sorrow is to adapt to changes; a gentleman remembers the one who started it. To return is the way to love to the utmost, with the heart of praying and worshiping; to look back to the ghosts is the way to seek the ghosts and gods; to face north is the meaning of seeking the ghosts. To bow and kowtow is to hide the utmost sorrow; to kowtow is to hide it very much. To eat rice and shellfish is to not bear to be empty; not to eat the way, but to use delicious food. To inscribe is to make a clear mark, because the dead are inseparable, so they are marked with flags. To love is to record; to respect is to do the best. Chong is to focus on the way, the Yin Dynasty focused on the emphasis; the Zhou Dynasty focused on the emphasis. Offering with plain utensils is because the living have a plain heart; only in the ritual of offering sacrifices, the host commits suicide; who knows that the gods also have a respectful heart. The jumping is the extreme of sorrow, and there is a calculation, so it is a moderation. Baring and pulling up hair are changes; anger is a change of sorrow. Removing ornaments is to remove beauty; baring and pulling up hair are to remove ornaments to the extreme. Baring something and wearing something are the moderation of sorrow. Burying with a hat and a shawl is the way to communicate with the gods, and there is a respectful heart. The Zhou people buried with a hat, and the Yin people buried with a shawl. The host and the mistress of the house are old, because they are sick, and the king ordered them to eat. Crying and going up to the hall is to return to what they have done; the mistress of the house is to return to what they have raised. Crying and mourning is the extreme of sorrow - it is lost, so it is serious. The Yin people mourned after the enfeoffment, and the Zhou people mourned and cried. Confucius said, "Yin is already sincere, I will follow Zhou." The burial place is in the north, which is the etiquette of the Three Dynasties, because it is a secluded place. After the enthronement, the host will present gifts and pray for the corpse of Su Yu. After the return of the mourning, the host and the officials will look at the sacrifice of Yu. The officials will place a few tables and offer sacrifices to the left of the tomb. Returning, the mourning will be performed at noon. The mourning is performed on the day of the burial, because it cannot bear to be away for a day. In this month, the sacrifice is replaced with the mourning. The end of the mourning is called the completion of the matter. On this day, the funeral sacrifice is replaced with the auspicious sacrifice. The next day, the grave is buried with the grandfather. The change to the auspicious sacrifice is the same as the grave. When it comes to the grave, it must be on this day - it cannot bear to have nothing to return to in a day. Yin was buried with silk, while Zhou was buried with tears. Confucius liked Yin. When the king came to the funeral of his minister, he used the witch to pray for peach and straw and held a spear - he hated it; it was different from the living. There is a way of death in the funeral. This is what the ancient kings found difficult to talk about. The morning of the funeral is to show filial piety to the deceased, and to mourn for the deceased. Therefore, the funeral should be held at the temple of the ancestors. In the Yin Dynasty, the ancestors were buried, and in the Zhou Dynasty, the deceased was buried.

Rebirth of Great Change

Ju Gengshen

Wang Junchong was the Minister of the Chancellery. He wore his official uniform and rode in a carriage. He passed by Huang Gong's wine shop and said to the passengers in the carriage behind him, "I used to drink with Ji Shuye and Ruan Sizong at this wine shop. We also had a trip to the bamboo forest. Since Ji Shuye died young and Ruan Gong passed away, I have been bound by the times. Although this place seems close today, it seems as far away as mountains and rivers."

The cool school hunk lives next door: My little cutie, muah

Zhongli Sai

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

The Cold Emperor Chases His Wife

Shou Shufang

Wang Yifu's wife, the daughter of Guo Taining, was of humble talent but strong-willed. She was insatiable in accumulating wealth and was always meddling in other people's affairs. Yi Fu was worried about it but couldn't stop it. At that time, his fellow villager Li Yang, the governor of Youzhou, was a great hero in the capital, just like Lou Hu of the Han Dynasty, and the Guo family was afraid of him. Yi Fu suddenly advised him against it, and he said, "It's not just me who says you can't do it, Li Yang also says you can't do it." Guo was slightly hurt by this.

Mosquitoes in the Immortal World

Tuoba Mo

Emperor Wu of Jin always gave tribute to Shan Tao and Shan Shao. Xie Taifu asked his sons and daughters about this, and the cavalry replied, "It should be because those who want it are not many, and those who give it will forget about it."

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