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Wang Youjun and Xie Gong went to see Ruan Gong. When they reached the door, they said to Xie: "So we should jointly recommend the master." Xie said: "It is difficult to recommend the master."
Wang Changshi said: "Jiang Siquan's thoughts and feelings are beyond the realm of Confucianism."
In mourning, one should only look at the deceased but not answer; in mourning of the same age, one should answer but not speak; in mourning of the great merit, one should speak but not discuss; in mourning of the minor merit, one should discuss but not enjoy music. This is the expression of grief in speech.
He Sikong went to Luoyang to respond to the order and became the attendant of the crown prince. Passing through Wuchang Gate, playing the piano on the boat. Zhang Jiying had never met him before, but he heard the clear sound of the strings at Jinchang Pavilion, so he got off the boat to congratulate him and they started talking. Then they got to know each other very well. He asked He, "Where are you going?" He said, "I'm going to Luoyang to respond to orders. It's the right way to go." Zhang said, "I also have things to do in Beijing." Since there was a carriage on the way, he set out with He. He did not tell his family at first, but only found out after his family asked him about it.
The death of the emperor is called Beng, the death of the princes is called Hong, the death of the officials is called Zu, the death of the scholars is called Bulu, and the death of the common people is called Si. The body on the bed is called Shi, and the body in the coffin is called Ju. Feathered birds are called Jiang, and four-legged birds are called Zi. Dead bandits are called Bing.
The Master said: "Listen carefully! The three women, I told you: there are still nine etiquettes, and four great feasts. If you know this, even if you do it in the fields, you will be a sage. When two kings meet, they bow and yield to each other before entering the door, and then they go up to the hall after bowing and yielding to each other, and then the music stops. They play Xiang and Wu, Xia and Yue in sequence. They set out their offerings, arrange their rituals and music, and prepare their hundreds of officials. Only in this way can a gentleman know benevolence. He follows the rules and returns to the rules, and he is in harmony with the phoenix. When a guest leaves, he is in harmony with the phoenix, and he is in harmony with the feathers. Therefore, a gentleman knows everything in etiquette. When he enters the door, the sound of gold is made to show his feelings. When he rises to sing Qingmiao, he is indebted to his virtue. When he goes down to play Xiang, he is indebted to his deeds. Therefore, the gentlemen of ancient times did not need to talk to each other in person, but only showed each other etiquette and music.
Dai Andao went to Fan Xuan to study, and observed what Fan did: Fan read books while he was reading, and Fan copied books while he was copying books. Only his love for painting was considered useless by Fan, and it was not worth spending time thinking about it. Dai then painted a picture of Nandu; Fan read it and praised it, thinking it was very useful, and then he started to paint again.
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