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The world regarded Yang Lang as "calm and careful in judging the classics." Minister Cai said, "If the court had not been in chaos, Yang would have been the prime minister." Lord Xie said, "Lang is a man of great talent."
Wang Ziyou once traveled through Wuzhong and saw a scholar-official's house with some very fine bamboo. The master knew that Ziyou was going to go, so he swept the room and made preparations, and sat in the hearing room waiting for him. The king went straight to the bamboo grove and whistled for a long time. The Lord was disappointed, but still hoped that his message would work, so he wanted to go out. The host was so upset that he ordered his attendants to close the door and not let anyone in. The king gave this as a reward to the host, who stayed to stay, and left happily.
The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.
Sun Sheng was a military officer in the record room of Yu Gong. He went hunting and took his two sons with him. Yu Gong didn't know this, and suddenly he saw Qi Zhuang in the hunting ground. He was about seven or eight years old. Yu said, "Are you coming again?" He answered immediately, "As the saying goes, 'No matter how small or big, I will follow you.'"
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
Zengzi said: "The filial son provides for the elderly by making his heart happy and not violating his will, making his ears and eyes happy, making his bed comfortable, and providing him with food and drink. The filial son who is loyal to the parents provides for the whole life. The whole life is not the whole life of the parents, but the whole life of the parents. Therefore, the parents also love what they love and respect what they respect. This is true even for dogs and horses, let alone humans!" Regarding the provision of elderly care, the Five Emperors had regulations and the Three Kings had requests for advice. The Five Emperors followed the rule of nurturing the spirit and not asking for advice. If they did something good, they would record it as a dunshi. The Three Kings also followed the rule of nurturing the elderly and then asking for advice. They also did not follow the etiquette and all had dunshi.
When Prime Minister Wang crossed the river, he said that he had often talked about Taoism with Pei Chenggong, Ruan Qianli and other wise men by the Luo River. Yang Man said, "I have promised you this a long time ago, why do you need it again?" The king said, "I didn't say I needed it, I just wanted it and it was not available at that time!"
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