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Ni Heng was demoted by Emperor Wu of Wei to be a drummer, and was tested on the drums at 15th day of the first lunar month. The Hengyang gong was the Yuyang gong, and its sound was like that of metal and stone, which made the expressions of those sitting around change. Kong Rong said: "Ni Heng's crime is the same as Xu Mi's. He cannot reveal the king's dream." Wei Wu was ashamed and pardoned him.

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Therefore, "The Book of Songs" says: "The great-grandson of the marquis family, the four correct ones are all raised; the great officials and the gentlemen, all the common people, small and big, are in the king's place, and they are entertained and arched, and then they are praised." It means that the ruler and the ministers devote their efforts to archery to learn rituals and music, and then they are safe and praised. Therefore, the emperor regulates it, and the princes are responsible for it. This is why the emperor supports the princes, and the soldiers are not used, and the princes are the tools for correcting themselves.

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Zhuge Liang later entered Jin and was appointed Grand Marshal, but he could not be summoned. Because he had a feud with the Jin Dynasty, he always sat with his back to the Luo River. She was an old acquaintance of Emperor Wu, and the emperor wanted to see her but had no way to do so, so he asked Concubine Zhuge to call Liang. When she arrived, the emperor met with the concubine dowager. After the ceremony and when they were drunk, the emperor said, "Do you still remember our childhood friendship?" Liang said, "I cannot bear to see my body covered in charcoal and lacquer. Today I see your holy face again." He burst into tears. The emperor then left in shame and regret.

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A filial son must think about things in advance when he is about to offer sacrifices; he must prepare things in advance; he must be empty in order to manage them. After the palace is built, the walls and houses are built, and all the things are ready, the husband and wife take a bath together, wear the best clothes and flatter to offer the sacrifices. It is clear and orderly, as if he cannot overcome it or will lose it. Isn't this the deepest filial piety! The offerings and sacrifices are presented, the rituals and music are arranged, and the officials are prepared. Then they are presented with respect and respect. Then they are explained to the gods and spirits, so that they may be worshipped. "Maybe they may be worshipped" is the aspiration of the filial son. When the filial son offers sacrifice, he should be sincere and sincere, trustworthy and trustworthy, respectful and respectful, and ceremonial without going beyond the limit. He must be respectful when he advances and retreats, as if he were obeying orders from his parents, so that he may be ordered. The filial son's sacrifice is understandable. When he stands, he is respectful and humble, when he advances, he is respectful and happy, and when he offers, he is respectful and eager; when he retreats and stands, he is as if he is about to receive an order; when he has finished and retreats, he has a look of respect and courtesy on his face. When the filial son offers sacrifice, if he stands without bowing, he is stubborn; when he advances without happiness, he is distant; when he offers without desire, he does not love; when he retreats and stands, he is not as good as if he were ordered, he is arrogant; when he has finished and retreats, he has no look of respect and courtesy, and he has forgotten his origin. If he offers sacrifice in this way, he has failed. A filial son who has deep love must have a harmonious temperament; a harmonious temperament must have a happy expression; a happy expression must have a gentle expression. A filial son is like holding a jade, like offering a fullness, and is full of it, as if he cannot win, as if he is about to lose it. Sternness, dignity, and solemnity are not the way to serve one's parents, but the way to become an adult.

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During the funeral of Confucius, two or three disciples all wore mourning clothes and went out. They wore mourning clothes when they were in a group, but not when they went out.