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Wang Zijing asked Xie Gong: "How does Lin Gong compare to Yu Gong?" Xie Shu refused and replied: "The predecessors did not talk about it at first. Yu Gong is more than Lin Gong."
Xie Wuyi has a rough and strong character. Because they were not getting along well, he went to Wang Lantian and cursed him. Wang stood facing the wall with a serious expression and dared not move for half a day. After Xie left for a long time, he turned around and asked the clerks around him, "Have you left?" They answered, "Already left." Then he sat down again. People at that time admired his impatient nature but his ability to tolerate things.
When hearing of the death of a brother, a great meritorious official or above shall go to the hometown of the deceased and cry. If the brothers who are accompanying the funeral cannot catch up, and meet the master on the road, they shall follow him to the grave. When the master's brother dies, even if he is a distant relative, Yuzhi.
Yu Daoji said: "Although Lian Po and Lin Xiangru have been dead for thousands of years, they are still alive. Although Cao Tu and Li Zhi are still alive, they are as sad as the dead in the underworld. If everyone is like this, they can be ruled by tying ropes, but I am afraid that foxes and raccoons will eat them all."
When Xu Ruzi was nine years old, he once played under the moon. Someone said to him, "If there is nothing in the moon, it will be extremely bright, right?" Xu said, "No, it's like the pupil in a person's eye. Without it, it would be very bright."
The host pays the guest to the door, the song ends three times, and the host offers it; the sheng enters three times, and the host offers it; the interlude ends three times, and the music ends three times. The musician announces that the music is ready, and then leaves. One person raises the cup, and then the Sizheng stands there, knowing that he can harmonize the music without drifting.
All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.
Yu (Ma Fei) of Kuaiji was a knight-errant like Huan Xuanwu during the reign of Emperor Yuan. He was a man of talent and reason who was highly regarded. Prime Minister Wang once said to (Ma Fei): "Kong Yu has the talent but not the reputation, Ding Tan has the reputation but not the talent. Who can have both?" (Ma Fei) died before he could achieve his goal.
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