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When Lu Wan was appointed Sikong, someone came to him and asked for good wine. When he got it, he stood up, dropped his chopsticks on the ground between the beams and pillars, and said, "There is a lack of talent in the world, so I use you as a pillar. Please don't destroy the pillars of others." He joked, "I will take your good advice."
The wife of Duke Cheng of Pei, the daughter of Wang Rong. Wang Rong went to Pei Xu in the morning, but there was no way forward. Pei went down from the bed to the south, and the woman went down from the bed to the north, and they sat opposite each other as host and guest, with no strange expressions on their faces.
Taoist Daoyi was fond of embellishing his words and sounds. He left the capital and returned to Dongshan, passing through Wuzhong. It started snowing soon after, but it wasn't very cold yet. The Taoists asked about the path they were on. Yi Gong said: "Wind and frost are not to be taken into account, but they are the first to gather the bleakness. The suburbs and towns are just beginning to fade, and the forests and mountains are already white."
When a gentleman is about to build a palace, the ancestral temple comes first, the stables and storehouses come second, and the living quarters come last. For all household construction, sacrificial utensils come first, sacrificial tribute comes second, and domestic utensils come last. Those without land and salary do not set up sacrificial utensils; those with land and salary first make sacrificial clothes. Even if a gentleman is poor, he does not eat porridge with sacrificial utensils; even if it is cold, he does not wear sacrificial clothes; when building a palace, he does not cut hills and trees. When a senior official or scholar leaves the country, sacrificial utensils are not overused. The senior officials shall leave the sacrificial vessels with the senior officials, and the scholars shall leave the sacrificial vessels with the scholars.
During the funeral of Zi Zhang, Gong Mingyi wrote a memorial: the red curtain and the red material, and the ants gathered at the four corners, which was a Yin scholar.
When the emperor is about to leave, he should be like the God of Heaven, and he should go to the altar and make a sacrifice to the gods. When the princes are about to leave, they should go to the altar and make a sacrifice to the gods. When the emperor has nothing to do, he meets with the princes and calls it court. He examines the rites, corrects the punishments, and makes them respectful to the emperor. When the emperor gives music to the princes, he uses the cymbals to lead them. When he gives music to the dukes, the zithers, and the men, he uses the gongs to lead them. The princes are given bows and arrows before they go to war, and are given halberds before they kill. They are given jade tablets and jade jars before they make chang. If they are not given jade tablets and jade jars, they should provide chang to the emperor.
Tao Gong came from the upper stream, went to Su Jun's difficulty, and ordered the execution of Yi Gong之.”Li from Wen Yan Yi Tao. To, then worship. Tao self-rising and stop it, saying: “Yu Yuan rule how can I worship Tao Shi line?”
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
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