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Love on the other side is not this side

Marrying a Rich Family by Mistakenly: The Wife Can't Escape

Shi Chong and Wang Kai competed with each other in luxury and both used exquisite items to decorate their carriages and clothes. Emperor Wu was Kai's nephew and always supported Kai. He once gave Kai a coral tree, about two feet tall. The branches and twigs are luxuriant and luxuriant, rarely seen in the world. Kai shows respect. After Chong had examined it, he struck it with his iron ruyi and it broke into pieces. Kai felt sorry for it, but also thought that it was his treasure, so his voice and expression were very harsh. Chong said, "Don't be sad. I will return them to you now." He ordered his attendants to fetch all the coral trees. There were six or seven of them, three or four feet tall, with branches and trunks that were unparalleled and dazzling. There were many like Kaixu. Kai was at a loss.

My beloved wife is coming from the clouds

Xi Sikong was in the Northern Palace, and Huan Xuanwu disliked him for holding military power. Xi was always in the dark about the situation, so he sent a letter to Huan: "I want to help the royal family and repair the gardens and tombs." The crown prince Jiabin was on a journey. When he heard the letter on the road, he hurriedly took the letter, read it, and found it was torn into pieces, so he returned. He also wrote a letter, explaining that he was old and sick, and could not bear the idleness of others, so he wanted to ask for some vacant land to support himself. Xuanwu was overjoyed when he received the letter, and immediately ordered the transfer of the Duke to supervise five counties and be the prefect of Kuaiji.

Your Highness is getting married

Xie Zhonglang passed by the Houhu Lake of Qu'a and asked his attendants, "What kind of water is this?" They replied, "Qu'a Lake." Xie said, "It is a place where water flows into the deep and does not flow."

Devil Guardian Angel

Xian Zi Suo said: "I heard that in ancient times, there was no decline, and the upper and lower classes each chose their relatives. Teng Bowen mourned for Menghu, his uncle; he mourned for Mengpi, his uncle." Hou Mu said: "Mourning, I heard from the county masters that mourning must be thought deeply and long, and the coffin should be changed inside and outside. I will do the same when I die." Zengzi said: "The corpse has not been decorated yet, so the hall is covered with curtains, and the burial is small and the curtains are clear." Zhongliangzi said: "The husband and wife are in chaos, so the hall is covered with curtains, and the burial is small and the curtains are clear." For the small burial, Ziyou said: "In the east." Zengzi said: "In the west, the mat is gathered." The small burial was in the west, which was a loss in the late Lu ritual. Xianzi said, "The mourning clothes and skirts are not ancient." Zi Pu died, and the weeping people cried out. Zi Gao said, "This is wild." The weeping people changed.

Concubine

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.