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Village girl

Zhenqingtan

Music is the movement of the heart; sound is the image of music. Literary talent and rhythm are the decoration of sound. A gentleman moves his roots, enjoys his image, and then manages his decoration. Therefore, first beat the drum to warn, three steps to see the direction, start again to go forward, and return to order after chaos. Be vigorous but not withdrawn, and be extremely obscure but not hidden. Enjoy your aspirations alone, and do not tire of your way; fully promote your way, and do not be selfish. Therefore, when feelings are revealed, righteousness is established, and when music ends, virtue is respected. Gentlemen love goodness, while villains listen to faults. Therefore, it is said that music is the greatest way to lead the people. Music is giving; ritual is repaying. Music is to enjoy what it was born from; and ritual is to return to what it started from. Music is to show virtue, and ritual is to repay emotion and return to the beginning. The so-called great carriage is the emperor's carriage. The dragon flag with nine tassels is the emperor's banner. The blue-black border is the emperor's precious tortoise. Following it are the cattle and sheep, which are used to give gifts to the princes. Music is the emotion that cannot be changed. Rituals are the principles that cannot be changed. Music is unified, and rituals distinguish differences. The theory of rituals and music governs human emotions. To understand the origin and know the changes is the emotion of music; to be sincere and to get rid of falsehood is the principle of rituals. Rituals and music can understand the emotions of heaven and earth, reach the virtue of the gods, and inspire the spirits of the upper and lower, and condense the essence and the coarse, and lead the rules of father and son, monarch and minister. Therefore, when the great man promotes rituals and music, heaven and earth will be bright. When heaven and earth are in harmony, yin and yang are in harmony, and the warmth of the old woman nurtures all things, then the grass and trees grow, the buds grow, the wings flutter, the horns grow, the hibernating insects wake up, the feathered ones lie down, the hairy ones conceive, the viviparous ones are not killed, and the egg-laying ones are not killed, then the way of music returns to it. Music does not refer to the Huangzhong, Dalu, string music, and singing, which are the last part of music, so children dance to them. Spreading the banquet, setting up the sacrificial vessels, arranging the trays and bowls, and using the rise and fall as rituals are the last part of rituals, so there are officials in charge of them. The musicians distinguish between sounds and poems, so they face north and play the strings; the ancestral priests distinguish between the rituals of the ancestral temple, so they play after the corpse; the business priests distinguish between the funeral rituals, so they play after the host. Therefore, virtue is the upper, and art is the lower; behavior is the first, and things are the last. Therefore, the ancient kings had upper and lower, first and last, and then they could have control over the world.

Born into a prominent family

Nan Mengyun

When Wei Jie was a child, he asked Le Ling about his "dream", and Le Ling replied, "It's just thinking." Wei said, "If you dream about something that is not connected between your body and your spirit, how can it be imagination?" Le said, "It is cause. I have never dreamed of riding a car into a rat hole, or pounding vegetables with an iron pestle. This is because there is no imagination and no cause." Wei thought about the "cause" for several days but could not find one, and thus he fell ill. I was pleased to hear it, so I ordered my driver to analyze it. Wei is slightly worse. Le sighed and said, "This child must not have any serious illness in his chest!"

I will fall in love with you

Nanmen Jin

Huan Xuanwu and Xi Chao discussed the extermination of court officials. After the terms were finalized, they stayed together that night. The next morning, he got up and called Xie An and Wang Tanzhi in, and threw the memorial to them. Xi was still in the tent, Xie Du was speechless, and Wang threw it back, saying: Too much! Xuanwu took the pen to put it away, but Xi secretly talked to Xuanwu from inside the tent without realizing it. Xie Han smiled and said: "Xi Sheng can be said to be a guest in the curtain."

Korean Entertainment Movie King

Zhen Ban Liu

The curtain funeral is not an ancient practice, it started with Jing Jiang's crying for Mu Bo. Funeral is the utmost sorrow. To be moderate in sorrow is to adapt to changes; a gentleman remembers the one who started it. To return is the way to love to the utmost, with the heart of praying and worshiping; to look back to the ghosts is the way to seek the ghosts and gods; to face north is the meaning of seeking the ghosts. To bow and kowtow is to hide the utmost sorrow; to kowtow is to hide it very much. To eat rice and shellfish is to not bear to be empty; not to eat the way, but to use delicious food. To inscribe is to make a clear mark, because the dead are inseparable, so they are marked with flags. To love is to record; to respect is to do the best. Chong is to focus on the way, the Yin Dynasty focused on the emphasis; the Zhou Dynasty focused on the emphasis. Offering with plain utensils is because the living have a plain heart; only in the ritual of offering sacrifices, the host commits suicide; who knows that the gods also have a respectful heart. The jumping is the extreme of sorrow, and there is a calculation, so it is a moderation. Baring and pulling up hair are changes; anger is a change of sorrow. Removing ornaments is to remove beauty; baring and pulling up hair are to remove ornaments to the extreme. Baring something and wearing something are the moderation of sorrow. Burying with a hat and a shawl is the way to communicate with the gods, and there is a respectful heart. The Zhou people buried with a hat, and the Yin people buried with a shawl. The host and the mistress of the house are old, because they are sick, and the king ordered them to eat. Crying and going up to the hall is to return to what they have done; the mistress of the house is to return to what they have raised. Crying and mourning is the extreme of sorrow - it is lost, so it is serious. The Yin people mourned after the enfeoffment, and the Zhou people mourned and cried. Confucius said, "Yin is already sincere, I will follow Zhou." The burial place is in the north, which is the etiquette of the Three Dynasties, because it is a secluded place. After the enthronement, the host will present gifts and pray for the corpse of Su Yu. After the return of the mourning, the host and the officials will look at the sacrifice of Yu. The officials will place a few tables and offer sacrifices to the left of the tomb. Returning, the mourning will be performed at noon. The mourning is performed on the day of the burial, because it cannot bear to be away for a day. In this month, the sacrifice is replaced with the mourning. The end of the mourning is called the completion of the matter. On this day, the funeral sacrifice is replaced with the auspicious sacrifice. The next day, the grave is buried with the grandfather. The change to the auspicious sacrifice is the same as the grave. When it comes to the grave, it must be on this day - it cannot bear to have nothing to return to in a day. Yin was buried with silk, while Zhou was buried with tears. Confucius liked Yin. When the king came to the funeral of his minister, he used the witch to pray for peach and straw and held a spear - he hated it; it was different from the living. There is a way of death in the funeral. This is what the ancient kings found difficult to talk about. The morning of the funeral is to show filial piety to the deceased, and to mourn for the deceased. Therefore, the funeral should be held at the temple of the ancestors. In the Yin Dynasty, the ancestors were buried, and in the Zhou Dynasty, the deceased was buried.

Perspective Master

Shentu Chengwang

When the princes travel and die in the guesthouse, they will return to their country. If they are on the road, they will raise the left hub of their carriage and use it to saddle it. Their saddles have a saddle, and they travel with black cloth skirts and white brocade curtains as a roof. When the temple gate is reached, the wall is not torn down before entering the place of burial, but only the chariot is used to announce the death outside the temple gate. When a senior official or scholar dies on the road, the left hub of the carriage is lifted up and the body is brought back with the reins. If the death occurs at the residence, the body is brought back as at home. Senior officials use cloth as chariots to walk, and when they arrive at home, they use the chariots to carry the body, and when they enter the gate and reach the steps on the east side, they use the chariots to carry the body, and then they are lifted up from the steps on the east side and brought back to the place of burial. The chariots of scholars use reed mats as the roof and cattail mats as the skirt and curtain.

Wang Qingxuan

Wupeiwen

They seek but cannot find him, they enter the door but cannot see him, they go up to the hall but cannot see him, they enter the room but cannot see him. He is gone, he is dead! He can never be seen again! Therefore, they cry and dance, and stop when they have exhausted their grief. Their hearts are sad and sorrowful, they are confused and angry, their hearts are broken and their wills are sad. They offer sacrifices to the ancestral temples and offer sacrifices to the ghosts, hoping that they will return.

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