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Fate is a peach blossom disaster

One Sword, Ten Thousand Ghosts

Tian Yuan Ling Fei

Zengzi asked, “In ancient times, when a teacher traveled, did he have to move the temple master?” Confucius said, “When the emperor went on a tour, he moved the temple master and carried him in a Qi carriage, which means that he must have a dignified one. Now, if you take the masters of the seven temples with you, you will lose this. There should be no empty masters in the seven temples and the five temples. The empty masters are only when the emperor dies, the princes die, or leave their countries, and when offering sacrifices to the ancestors, there is no master. I heard from Lao Dan that when the emperor dies or the monarch dies, the celestial priest takes the masters of the temples and hides them in the temples of the ancestors. This is a ritual. After the mourning is over, the masters return to their temples. When the monarch leaves his country, the great minister takes the masters of the temples and follows him. This is a ritual. When offering sacrifices to the ancestors, the celestial priest welcomes the masters of the four temples. The master must ride in a carriage when leaving or entering a temple. Lao Dan said. ”Zengzi asked, “In ancient times, when a teacher traveled, he did not move the master, so who was the master?” Confucius said, “The master commands. ” Asked, “What does it mean?” Confucius said, “When the emperor and the princes are about to go out, they must inform their ancestors with coins, silk, leather and jade, and then carry them out on the Qi carriage. Every time they leave, they offer sacrifices before returning to their homes. When they return, they must inform, set up sacrifices, collect coins and jade, and hide them between the two steps before leaving. This is because of the noble destiny.”

Time Travel: The Film Queen of the Republic of China

Confucius got up early, put his hands behind his back and dragged his stick, and swayed at the door, singing, "Is Mount Tai collapsing? Is the beam breaking? Is the philosopher withering?" After singing, he went in and sat in front of the door. Zigong heard it and said, "If Mount Tai collapses, where can I look up? If the beam breaks and the philosopher withers, where can I go? Master, I am afraid you will be ill." Then he hurried in. The Master said, "Ci! Why are you so late? The Xia emperor was buried on the east steps, which was like being in the east; the Yin people buried between the two pillars, which meant that they were flanked by the host and the guest; the Zhou people buried on the west steps, which was like being the guest. And I am a Yin person. Last night, I dreamed that I was sitting and lying between the two pillars. If a wise king does not rise, who in the world can respect me? I am about to die." He died after seven days of illness.

Pure Love Pursuit: Emperor, please give me more advice

The gentleman said: Rituals and music cannot be separated from the body for a moment. Use music to regulate the mind, and the heart of Yi Zhi Zi Liang will arise naturally. The heart of Yi Zhi Zi Liang arises, then happiness, happiness, peace, longevity, longevity, heaven, heaven, God. Heaven is trustworthy without words, and God is majestic without anger. It is the way to regulate the heart with music. To regulate the body with propriety is to be solemn and respectful, and solemn and respectful is to be stern and majestic. If the heart is not harmonious and happy for a moment, then the heart of contempt and deceit will enter it. If the appearance is not solemn and respectful for a moment, then the heart of arrogance will enter it. Therefore, music is what moves the heart; propriety is what moves the outside. When music is extremely harmonious and propriety is extremely smooth, when the inside is harmonious and the outside is smooth, then the people will look at their faces and not argue with them; when they look at their appearance, the people will not be arrogance. Therefore, when virtue moves inwardly, the people will all listen to it; when reason is expressed in the outside, the people will all obey it. Therefore, it is said: To promote the way of propriety and music, to raise and arrange them, there will be no difficulty in the world. Music is what moves the heart; propriety is what moves the outside. Therefore, propriety is the main thing to reduce, and music is the main thing to increase. When propriety is reduced, it will advance, and it will be cultured by advancing; when music is full, it will return, and it will be cultured by returning. If rituals are reduced but not improved, they will be lost; if music is full but not restored, it will be lost; therefore, rituals have rewards and music has replies. If rituals are rewarded, then there will be joy; if music is restored, then there will be peace; the rewards of rituals and the replies of music are the same. Music is joy, which is something that human nature cannot avoid. Music must be expressed in sound and manifested in movement and stillness. This is the way of man. Sound, movement and stillness, the changes of nature and skills, are all here. Therefore, people cannot stand without music, and music cannot stand without form. If it is manifested but not in the way, it cannot stand without chaos. The ancient kings were ashamed of chaos, so they created the sounds of Ya and Song to guide them, so that their sounds were enough to make people happy but not flowing, their texts were enough to discuss but not stop, and their rhythms were enough to move people's good hearts. Not to let the mind be disturbed and evil spirits come in contact, this is the way the ancient kings established music. Therefore, in the ancestral temple, when the ruler and his subjects listen to music together, everyone will be harmonious and respectful; in the clan leaders and the village, when the elders and the young listen to music together, everyone will be harmonious and obedient; in the inner chambers, when fathers and sons and brothers listen to music together, everyone will be harmonious and close. Therefore, music is to determine harmony by examining one thing, to embellish rhythm by comparing things; to form a text by combining rhythm. This is how the fathers and sons, rulers and subjects are united, and the people are close. This is the way the ancient kings established music. Therefore, listening to the sounds of Ya and Song, one's mind will be broadened; holding the halberd and the shield, practicing the bending and stretching, one's appearance will be dignified; performing the omens and grasping the rhythm, the ranks will be straight, and the advance and retreat will be orderly. Therefore, music is the will of heaven and earth, the discipline of harmony, and human nature cannot avoid it. Music is how the ancient kings embellished their joy, and the military halberds were how the ancient kings embellished their anger. Therefore, the joy and anger of the ancient kings were all in harmony. When they were happy, the world was in harmony, and when they were angry, violent and rebellious people were afraid. The way of the ancient kings was full of rituals and music.

Lian Niang

All burials are exposed, and those who move the body are covered. In the case of a king's funeral, the great official is responsible for the funeral, and the other officials assist him; in the case of a senior official's funeral, the great official attends him, and the other officials attend him; in the case of a scholar's funeral, the officials attend him, and the scholars attend him. In the case of a minor funeral or a major funeral, the sacrificial clothing does not fall down, and all the left-side lapels are tied and not buttoned. The person who is responsible for the funeral must cry after the funeral. The scholar and his attendant are responsible for the funeral, and they do not eat when the funeral is completed. There are six people in total for the funeral. The king's silk cape is cut off, and there are seven side decorations; the senior official's black cape is cut off, and there are five side decorations; the scholar's black cape is cut off, and there are three side decorations. The length of the cape is the same as the hand, and it is cut off three feet. From the minor funeral onwards, a Yi quilt is used, and the Yi quilt is cut off, and the cut is still the cape. When the king is preparing for a major funeral, the son wears a cap and a sash, and takes the seat at the end of the order. The ministers and senior officials take the seat to the west of the hall's lintel, facing north and east, the father and brother are in the lower hall and facing north, the wife's corpse faces west and east, and the outer clan room faces south. The lower officials spread the mat, the ministers spread the quilts and clothes made of twisted silk, the scholars wash their hands on the tray, and the senior officials carry and move the body to the coffin. When the coffin is finished, the prime minister informs the sons, and the wives do the same facing east. In the funeral of a senior official, the coffin is about to be laid out, and the quilts and clothes are laid out. When the king arrives, the host welcomes him and goes to the right of the door first. The witch stops outside the door. The king releases the food, and the ministers go to the hall first. The king takes the seat at the end of the order, and the ministers take the seats to the west of the hall's lintel, facing north and east. The host faces south outside the host's room, and the wife's body faces west and east. When the body is moved and the coffin is finished, the prime minister informs the host, and the host descends, facing north at the bottom of the hall. The king touches the body, and the host bows and kowtows. The king descends, raises the host and asks the wife to follow him. In the funeral of a senior official, the coffin is about to be laid out, and the king is not present, the rest of the rituals are the same as those of the senior officials. Spread the quilts, and jump; spread the quilts, and jump; spread the clothes, and jump; move the body, and jump; fold the clothes, and jump; fold the quilts, and jump; fold the twisted silk, and jump.