Sanyi Sports Chess

One step at a time

Yin Zhongjun read the sketches and got two hundred lots, all of which were subtle and profound, representing the mysteries of the world. I once wanted to argue with Zhi Daolin, but failed. The sketch still exists today.

World Consciousness

Kang Sengyuan had deep eyes and a high nose, and Prime Minister Wang always adjusted him. Monk Yuan said: "The nose is the mountain of the face, and the eyes are the abyss of the face. If the mountain is not high, it will not be spiritual; if the abyss is not deep, it will not be clear."

Things You Never Knew

Provoking a black-bellied boyfriend

The Master said: "The people take the king as their heart, and the king takes the people as their body; the heart is solemn, the body is relaxed, and the heart is solemn, the appearance is respectful. If the heart is good, the body will be at ease; if the king is good, the people will want it. The heart is complete with the body, but it is also hurt by the body; the king survives with the people, but it also perishes with the people. "The Book of Songs" says: "In the past, I had an ancestor who was upright, his words were clear and clear, the country was peaceful, the capital was built, and the people lived; who can lead the country to success, not being upright himself, and finally tiring the people. "Jun Ya" says: "In summer, the hot rain, the common people only complain; in winter, the common people also complain. '"

The president and I are having an affair again.

　　Wang Lang always recommended Hua Xin for his insight and judgment. On the day of Xinla, he would gather his sons and nephews for a feast and drink, and the king also followed his example. Someone told Zhang Hua about this, and Zhang said, "What Wang learned from Hua is all beyond the physical body, which is why he went even further."

The rest of my life is sweet and warm with you

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.