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Zixia said: "The five ultimates have been heard, and I dare to ask what the three nothings are?" Confucius said: "Music without sound, ritual without body, mourning without clothes, this is called the three nothings. "Zixia said: "I have heard the three "nothings" briefly. May I ask which poem is closest to them?" Confucius said: "'The life of the morning and the evening is to be forgiven and secret' is the music without sound. 'The dignity and manners are so great that they cannot be chosen' is the etiquette without form. 'When the people are in mourning, they crawl to save them' is the mourning without clothes."
Shan Gong was highly regarded in the court and even when he was over seventy years old, he still knew how to manage the current affairs. Guisheng is young, like He, Pei, Wang and others, and they all talk and chant together. There is an inscription on the pillar of the pavilion: "To the east of the pavilion, there is a big ox, He Jiaoyang, Pei Kaiqiu, and Wang Ji are so angry that they can't rest." Some say: Pan Ni built it.
If the ministers go out of the country privately, they must ask for permission. When they return, they must offer. If the scholars go out of the country privately, they must ask for permission; when they return, they must tell. If the king works hard for them, they will bow; if they ask about their travels, they will bow before answering. When a king leaves his country, he is stopped by saying, "How can you leave the altar of the country?" The ministers say, "How can you leave the ancestral temple?" The scholars say, "How can you leave the grave?" The king dies for the altar of the country, the ministers die for the people, and the scholars die for the system.
When hearing of the death of a brother, a great meritorious official or above shall go to the hometown of the deceased and cry. If the brothers who are accompanying the funeral cannot catch up, and meet the master on the road, they shall follow him to the grave. When the master's brother dies, even if he is a distant relative, Yuzhi.
Therefore, the ruler of Lu, in the first month of spring, rides on a large road, carrying a bow and a shawl; the flag has twelve tassels, the pattern of the sun and the moon; he offers sacrifice to the emperor in the suburbs, and is paired with Houji. This is the ritual of the emperor. In the sixth month of the last month of summer, he offers sacrifice to Zhou Gong in the Grand Temple with a sacrifice ceremony, using a white roe as the sacrificial animal; using a sacrificial urn like a sacrificial xiangshan lei; using a yellow-eyed urn; using a jade jar and a large gui as the pouring pot; using a jade bean carved with a bamboo basket; using a jade jar, also carved, with a bi and a bi corner; using a zhu zi as the sacrificial offering; singing "Qingmiao" as the rising song, and playing "Xiang" as the lower song; wearing a red stem and jade qi, and dancing "Dawu" with a crown; wearing a leather hat and a white pile, and dancing "Daxia" with a sash. "Mei" is the music of the Eastern Yi; "Ren" is the music of the Southern Man. Accepting the music of the Yi and Man in the Grand Temple means expanding Lu's influence over the world.
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