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Today's teachers groan about their divination, ask a lot of questions, talk about numbers, and advance without caring about their safety. They make people not sincere, and teach people not to use their talents; their application is perverse, and their pursuit is foolish. That is why they hide their learning and hate their teachers, suffer from the difficulty and do not know the benefit. Even if they finish their studies, they will soon leave. Is this the reason why teaching is not a punishment?
When Xie Yi was the magistrate of Shan, an old man broke the law, so Xie punished him by giving him strong liquor, even until he was drunk, but he was still not satisfied. The Taifu was seven or eight years old at the time. He was wearing blue cloth trousers and sitting beside his brother's knees. He advised him, "Brother! The old man is pitiful. Why do you do this?" Yi then changed his expression and said, "Anu, do you want to let him go?" Then he sent him away.
Burning wood in Taitan is a sacrifice to heaven; burying in Taizhe is a sacrifice to the earth; using a calf. Burying a young cattle in Taizhao is a sacrifice to the time; being close to the Kantan is a sacrifice to cold and heat. The royal palace is a sacrifice to the sun; the night light is a sacrifice to the moon; the Youzong is a sacrifice to the stars; the Yuzong is a sacrifice to floods and droughts; the four Kantans are sacrifices to the four seasons. Mountains, forests, rivers, valleys, hills, clouds that can become wind and rain, and monsters that can be seen are all called gods. Those who have the whole world offer sacrifices to all gods. The princes offer sacrifices to the gods in their own lands, but not if they lose their lands.
Bian Wangzhi said: "There are three opposites in Xi Gong's character: he is good at doing things, but he likes to flatter others. This is the first opposite. He is honest and upright, and he makes great plans. This is the second opposite. He likes to read books and hates other people's knowledge. This is the third opposite."
When Huan Xuanwu conquered Shu, he took Li Shi's sister as his concubine and doted on her very much, often having her sit behind the king's throne. The master was unaware of this at first, but when she heard about it, she and dozens of her maids drew their swords and attacked him. Li was combing her hair. Her hair was hanging on the ground, her complexion was as white as jade, but she remained unmoved. Xu said: "My country is destroyed and my family is ruined, I have no intention of coming to this point. If I can be killed today, it is my real wish." The lord retreated in shame.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
The two sons of Yang Huai, the governor of Jizhou, Qiao and Mao, were both born with the intention of becoming talented people. Huai was friendly with Pei Wei and Yue Guang, so he sent people to meet them. Huai was generous and open-minded. He loved Qiao's high rhyme and said to Huai, "Qiao is as good as you, but Mao is a little inferior." Guang was pure and honest. He loved Mao's prudent mind and said to Huai, "Qiao is as good as you, but Mao is even more outstanding." Huai laughed and said, "The superiority and inferiority of my two sons is the superiority and inferiority of Pei and Le." Commentators commented that although Qiao had high rhyme, he was not prudent enough; while Le's words were appropriate. However, they are both outstanding talents that came later.
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