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When it is sent away, it is eager and anxious, as if it is chasing but cannot catch up; when it is returned, it is anxious and anxious, as if it is seeking but cannot get. Therefore, when they go to see him off, they seem to be longing for him, and when they return, they seem to be suspicious of him.
When a son serves his parents: if he advises them three times but they still don’t listen, he should cry and follow them. When the king is ill and takes medicine, the minister should taste it first. When a parent is ill and takes medicine, the son should taste it first.
Therefore, the rite of audience is to clarify the righteousness between the monarch and the ministers. The rite of marriage is to make the princes respect each other. The rite of funeral and sacrifice is to clarify the grace of the ministers. The rite of drinking in the village is to clarify the order of the elders and the young. The rite of marriage is to clarify the difference between men and women. Rites are the source of restraint and chaos, just like the source of water in the village. Therefore, those who destroy the old temple because they think it is useless will surely be destroyed by water; those who destroy the old ritual because they think it is useless will surely be destroyed by water.
Jianwen saw rice in the field and didn't recognize it, so he asked what kind of grass it was. The answer is rice. Jianwen returned and did not come out for three days, saying: "Would you rather rely on the end than know the root?"
Sacrificial rules: The Yu clan sacrificed to the Yellow Emperor and offered sacrifices to Ku in the suburbs, and their ancestors were Zhuanxu and Yao. The Xiahou clan also sacrificed to the Yellow Emperor and offered sacrifices to Gun in the suburbs, and their ancestors were Zhuanxu and Yu. The Yin people sacrificed to Ku and offered sacrifices to Ming in the suburbs, and their ancestors were Qi and Tang. The Zhou people sacrificed to Ku and offered sacrifices to Ji in the suburbs, and their ancestors were King Wen and King Wu.
At first, there were dozens of people who annotated Zhuangzi, but none of them could understand its main points. Xiang Xiu explained the meaning beyond the old annotations, with wonderful and unique analysis, and promoted the mysterious style. Only the two poems "Autumn Water" and "Supreme Joy" were not completed when Xiu died. When Xiuzi was young, Yi died, but there is still another copy. Guo Xiang was a man of mean conduct but with great talent. Seeing that Hideyoshi's work was not passed down to the world, I secretly took it as my own. He added his own annotations to the two chapters "Autumn Water" and "Supreme Joy", and changed the chapter "Horse's Hoof". As for the rest of the chapters, he only added some fixed sentences. Later, Xiu Yi wrote a different version, so now there are two Zhuangs, Xiang and Guo, but the meaning is the same.
Guo Linzong went to Runan to visit Yuan Fenggao, the carriage did not stop the track, and the phoenix did not stop the yoke. He went to Huang Shudu and stayed there all day. People asked why? Lin Zong said: "Shudu is as vast as a pond of ten thousand acres. It is not clear when it is clear, and it is not turbid when it is disturbed. Its depth and breadth are difficult to measure."
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