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There are nine sisters in the family

Yongleqin

The etiquette of running to the funeral: When you first hear about the death of a relative, you should cry and express your sorrow; when you ask the reason, you should cry and express your sorrow again. Then you should go, and travel a hundred miles a day, not at night. Only when your parents die, you should go when you see the stars, and stop when you see the stars. If you can’t go, you should wear mourning clothes before going. When you pass through the country, you should stop crying when you have cried. Cry and open the market. When you look at the country, you should cry. When you get home, you should go in the left, ascend from the west steps, lie down in the east, sit facing west, cry and express your sorrow, tie your hair and expose your body, and go down to the east of the hall. The host takes his seat, faces west and cries, dances, and wears a mourning robe in the east of the order, twisting his belt. Return to his seat, bow to the guest, dance, see the guest off, and return to his seat; if there is a guest who arrives later, he bows to him, dances and sees off the guest as before. All the host's brothers go out, and stop crying when they go out; close the door, and the attendant tells them to take their turn. Cry again, pull up the hair and bare the body, dance; cry for the third time, pull up the hair and bare the body again, dance. After three days, complete mourning, bow to the guest and see off the guest as before.

The first online sect in the history

Wa Jingyi

They seek but cannot find him, they enter the door but cannot see him, they go up to the hall but cannot see him, they enter the room but cannot see him. He is gone, he is dead! He can never be seen again! Therefore, they cry and dance, and stop when they have exhausted their grief. Their hearts are sad and sorrowful, they are confused and angry, their hearts are broken and their wills are sad. They offer sacrifices to the ancestral temples and offer sacrifices to the ghosts, hoping that they will return.

My Fairy Lady

Diwu Yanyan

In the suburban sacrifice, the mourners dare not cry, and those in mourning clothes dare not enter the country gate, which is the utmost respect. On the day of the sacrifice, the king leads the animal, the mu answers the king, and the ministers follow in order. After entering the temple gate, they are beautiful in front of the stele. The ministers and officials bare their clothes, and the hairy cows are still ears. They are cut with a phoenix knife, and the flesh and blood are taken out before they leave. Burning the sacrifice, offering the smell and leaving, is the utmost respect. In the suburban sacrifice, the great report to the sky is the main sun, and the moon is paired with it. The Xiahou clan sacrificed to the dark, the Yin people sacrificed to the yang, and the Zhou people sacrificed to the sun, starting in the morning and in the dark. Sacrifice to the sun on the altar, and sacrifice to the moon on the pit, to distinguish between the living and the dead, and to control the upper and lower. Sacrifice the sun in the east and the moon in the west to distinguish the outside from the inside and to set their positions. The sun rises in the east and the moon rises in the west. The length and shortness of yin and yang, the beginning and the end, are in rotation, so as to achieve harmony in the world. The rituals of the world are to return to the beginning, to respect ghosts and gods, to achieve harmony, to achieve righteousness, and to achieve yielding. Return to the beginning to strengthen the foundation; respect ghosts and gods to respect the superiors; use things to establish the rules of the people. If righteousness is achieved, the upper and lower will not rebel. If yielding is achieved, disputes will be eliminated. Combining these five is the ritual to govern the world. Although there are strange evils, those who cannot be governed are very small.

Different Paths to Immortality

Jiayao

Yu Zhongchu finished writing the Yangdu Fu and presented it to Yu Liang. Liang, with the feeling of being a relative, greatly appreciated its reputation and said: "It is worthy of three or two capitals, and four or three metropolises." Everyone competed to copy it, and paper became expensive in the capital. Master Xie said: "No. This is like building a house under a house. If you try to learn everything, you will still be frugal and narrow."

Mobile Journey to the West Yamen

Dong Men You Wei

When Zhi Daoling returned to the east, the wise men of the time saw him off at Zhenglu Pavilion. Cai Zishu came forward and sat close to Lin Gong. Xie Wanshi came later and sat a little far away. Cai got up temporarily, and Xie moved to his place. When Cai returned, he saw Xie there. He folded the mattress, lifted Xie up and threw him to the ground, then sat down again. He thanked the emperor for taking off his hat and cap, then slowly stood up, straightened his clothes and sat down on the mat. He looked very calm and not angry or frustrated at all. After sitting down, he said to Cai, "You are a strange man, and you may ruin my reputation." Cai replied, "I don't care about your reputation." After that, neither of them minded.

The willful life of a madman

Gongxi Yitong

All the learning of the crown prince and the scholars must be in season. In spring and summer, they learn to play the sword and spear, and in autumn and winter, they learn to play the feather and flute, all in the East Sequence. The minor music director learns the sword and spear, and the big official assists him. The flute master learns the spear and the flute master assistant assists him. The official plays the drum in the south. In spring, he recites and in summer, the master orders him. In autumn, Gu Zong learns the ritual, and the person in charge of the ritual orders him; in winter, he reads and the person in charge of the book orders him. The ritual is in Gu Zong, and the book is in Shangxiang. All the rituals of sacrifice, caring for the elderly, asking for words, and talking together are ordered by the minor music director in the East Sequence. The big music director learns to dance the sword and spear, speak, and ask for words, all of which are taught by the big music director, and the big official discusses and discusses in the East Sequence.

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