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There was a great historian in Wei named Liu Zhuang who was ill. The Duke said, "If the illness worsens, you must inform me even if you are supposed to offer sacrifices." The Duke bowed twice and asked for the corpse, saying, "There is a minister named Liu Zhuang, who is not my minister, but a minister of the state. I heard that he died, so I will go." He went without taking off his mourning clothes, and then wrapped him up. He gave him the name of the Qiu family in the city and the name of the Pan family in the county, and put it in the coffin, saying, "My descendants will be there for generations, and there will be no change."
Zhi Gong loved cranes and lived in Shandong (Shanyin) Mountain. Someone left behind a pair of cranes. Soon, their wings grew large and they were ready to fly. Zhi felt sorry for it, so he clipped its wings. The crane could no longer fly, so it turned its wings and looked down, as if it was disappointed. Lin said: "Since you have the ability to soar into the sky, why would you be willing to be a plaything for people?" He raised the bird and let it fly away after its wings were fully grown.
Wei Zhongjiang was good at calligraphy. Emperor Ming of Wei built a palace and wanted to hang a notice, so he asked General Zhong to climb the ladder and write it. After he died, his hair and temples were all white, so he told his children and grandchildren, "Don't learn to read anymore."
Someone asked the scholar, "What's your old surname? " He answered, "Wu Fujun is the mature and wise king of the Ming Dynasty. Zhu Yongchang is the most virtuous man in managing things and has a high reputation in the selection of officials. Yan Zhongbi is the crane singing in Jiugao and the white colt in the empty valley. Gu Yanxian is the zither with eight tones and the dragon with five colors. Zhang Weibao is the lush pine in the cold winter and the ethereal light in the dark night. Lu Shiheng and Shilong are the swans that circle and the drums that are waiting for the hammer. All these gentlemen: use the big pen as a hoe and paper as a fertile field. Use mystery as crops and morality as a good harvest. Use conversation as brilliance and loyalty as treasures. Write articles as brocade and contain the Five Classics as silk. Silent sitting is like a seat and Zhang Yirang is like a curtain. Practice benevolence and righteousness as a house and cultivate morality as a large house."
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