milan night satta

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《milan night satta》

When hearing about the death, one cannot go to the funeral, so he cries to the utmost; when asked why, he cries to the utmost again. Then he takes his seat, ties his hair and exposes his clothes, dances, and wears a sash and a belt to take his seat, bows to the guest and returns to his seat, dances. When the guest leaves, the host bows and sees him off outside the door, and returns to his seat; if there are guests who arrive later, he bows to them and dances, and sees them off as before. When he cries again, he ties his hair and exposes his clothes, dances. When he cries for the third time, he ties his hair and exposes his clothes again and dances. After three days, he is in mourning. After the fifth time, he bows to the guest and sees him off as before. If he returns after the funeral, When the host goes to the tomb, he cries and dances, pulls his hair to the east and exposes his mourning clothes, bows to the guests and dances, sends the guests back to their seats, cries and mourns until he has finished his work, then removes his clothes, and does not cry at home. The host does not change his clothes when treating the host, cries with him, and does not dance. From the age of mourning below, the difference is that he does not wear mourning clothes.

Emperor Ming asked Marquis Zhou, "Some people compare you to Xi Jian. What do you think?" Zhou said, "Your Majesty, there is no need to compare you to Xi Jian."

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更新时间：2025-03-22

The Kingdom of the Moon: Qing Qing Zi Jin

Huangfu Xianghui

Do not pull the coming, do not report the past, do not blaspheme the gods, do not follow the wrong, do not predict the unknown. Scholars rely on virtue and enjoy art; workers rely on law and enjoy persuasion. Do not criticize clothes and tools, do not be pedantic of words. The beauty of words is solemn and majestic; the beauty of the court is full of people; the beauty of sacrifice is orderly and majestic; the beauty of carriages and horses is not timid; the beauty of phoenixes is solemn and peaceful. Ask the king's sons, the elder one says: "He can follow the affairs of the state"; the younger one says: "He can control" or "He can't control". When asked about the age of a senior official's son, if he is older, he will say, "He can follow the music of the musicians"; if he is younger, he will say, "He can be correct in the music of the musicians" but he cannot be correct in the music of the musicians". When asked about the age of a scholar's son, if he is older, he will say, "He can plough the fields"; if he is younger, he will say, "He can carry firewood" but he cannot carry firewood. He cannot walk when holding a jade or tortoise shell, nor when he is in the hall or on the city wall. He cannot walk in a military carriage; the intermediary cannot bow.

Alien Master System

Ma Jia Ruisong

In ancient times, the emperor and the princes must have officials who raised animals. When the season came, they all took a bath and personally worshiped the animals. Sacrificial animals must be taken there, which is the highest respect. The king summoned the cow, took it in and looked at it, selected its hair and divined it. If it was auspicious, then he would raise it. The king wears a leather hat and white silk, and on the first and half moons, the king inspects the animals, so as to devote himself to the work and show his filial piety. In ancient times, the emperor and the princes must have a public mulberry and silkworm room near the river. The palace is built with a height of three feet and a thorn wall to close it from the outside. When the great morning comes, the king wears a leather hat and white silk, and divines the auspiciousness of the three palace ladies and the concubines, and asks them to go to the silkworm room, offer seeds and bathe in the river; and mulberry in the public mulberry, eat the wind. After the year is over, the concubines finish the silkworms and present the cocoons to the king, and then offer the cocoons to the lady. The lady asks, "Is this what I wear for you?" Then she takes the cocoons and gives them a small sacrifice. In ancient times, those who offer cocoons usually use this! On a good day, the lady reels silk, and she spreads it in three basins, and then she asks the three palace ladies and the concubines to reel it; then she makes it red and green, black and yellow, and makes it into a pattern. After the clothes are made, the king should wear them to worship the ancestors, which is the utmost respect. The gentleman said: "Rites and music should never be separated from the body. If you use music to regulate the mind, then the heart of being easy, honest, and understanding will arise naturally. If the heart of being easy, honest, and understanding arises, then you will be happy, happy, peaceful, peaceful, long-lasting, and heavenly, and heavenly, divine. Heaven is trustworthy without words, and divine is majestic without anger. Use music to regulate the mind. Use ritual to regulate the body, then you will be solemn and respectful, and solemn and respectful will be dignified and majestic. If the mind is not harmonious and happy for a moment, then the heart of contempt and deceit will enter; if the appearance is not solemn and respectful for a moment, then the heart of arrogance and laziness will enter. Therefore, music is what moves the inside, and ritual is what moves the outside. Music is extremely harmonious, and ritual is extremely smooth. If the inside is harmonious and the outside is smooth, then the people will look at his face and not argue with him; look at his appearance, and the people will not be arrogant and easy. Therefore, when the brilliance of virtue moves inside, the people will all listen to him; when the reason is expressed outside, the people will all obey him. Therefore, it is said: If the way of ritual and music is achieved, the world will be filled with them, and it will be easy to carry them out. Music is what moves the inner self; ritual is what moves the outer self. Therefore, ritual is about reduction, and music is about abundance. Ritual is reduced and then progresses, and progress is the essence; music is abundant and then returns, and return is the essence. If ritual is reduced but not progressed, it will be lost; if music is abundant but not returned, it will be lost. Therefore, ritual has reward and music has return. If ritual gets its reward, there will be joy; if music gets its return, there will be peace. The reward of ritual and the return of music have the same meaning.

His cabbage

Bao Xueling

Therefore, "The Book of Songs" says: "The great-grandson of the marquis family, the four correct ones are all raised; the great officials and the gentlemen, all the common people, small and big, are in the king's place, and they are entertained and arched, and then they are praised." It means that the ruler and the ministers devote their efforts to archery to learn rituals and music, and then they are safe and praised. Therefore, the emperor regulates it, and the princes are responsible for it. This is why the emperor supports the princes, and the soldiers are not used, and the princes are the tools for correcting themselves.

Come back to be a doctor

Qiu Hongshen

Gu He first worked as an official in Yangzhou. It was the first day of the lunar calendar. Before dawn, he parked his car outside the city gate. The Marquis of Zhou went to see the Prime Minister, and sat beside the carriage. And looking for lice, he remained motionless. After Zhou had passed by, he returned and pointed to Gu Xin and asked, "What is there in this place?" Gu was still scratching his lice. Xu Ying said, "This is the most unfathomable place." After Zhou Hou entered, he said to the Prime Minister, "There is a talented person among the officials in your state."

A different novel

Yushanling

Zhi Daoling asked Sun Xinggong: "How do you compare to Xu Yuan?" Sun said: "Your sentiments are high and far-reaching, and I have already accepted them early. If you recite a poem, Xu will face north."

Nine Realms of Transformation

Zhang Shui wind

Huannan County. After defeating Yin in Jingzhou, he captured about ten Yin generals and subordinates, including advisor Luo Qisheng. Huan had always treated Qisheng well, and when he was about to kill him, he sent someone to tell him, "If you thank me, I will pardon your crime." Qisheng replied, "I was an official in Jingzhou of the Yin Dynasty. Now Jingzhou people are in exile, and their life or death is uncertain. How can I thank Duke Huan?" After Qisheng left the market, Huan sent someone to ask him what he wanted to say. He replied, "In the past, King Wen of Jin killed Ji Kang, and Ji Shao was a loyal minister of Jin. I beg you to give me one of your brothers to support my elderly mother." Huan also pardoned him as he was told. Huan Xian once gave a lamb fur coat to Qi Sheng's mother, Hu. Hu was in Yuzhang at the time. When Qi Sheng came to ask about it, Huan Xian burned the fur coat that day.

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