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When Yu Zisong finished writing a fu, his follower Wenkang saw it and asked, "If there is intention, then it is not the end of fu; if there is no intention, then what is there to write about?" He replied, "It is somewhere between intention and no intention."
When Chu Qisheng was young, Xie Gong knew him very well and always said, "If Chu Qisheng is not good, I will not continue to be a fortune teller."
Ruan Guanglu lived in Dongshan, where he had nothing to do and was always content. Someone asked Wang Youjun about this, and Wang Youjun said, "This man is not afraid of favor or disgrace recently. Even the ancients who were in obscurity are no better than him."
The pawns were thrown, and the archer held the count and said, "Left and right pawns threw, please count." Two counts were pure, one pure was taken, and one count was odd. Then he said the odd count, "So-and-so is better than so-and-so by how many pure." If it was odd, it was called odd, and if it was even, it was called left and right even.
Wang and Liu listened to Lin Gong's talk. Wang said to Liu, "Those who sit high up are evil creatures." He turned east and listened again. Wang said, "Who is this (Jin Ben) Wang after the king?"
Some people think that Fang Xie Renzu did not respect him enough. Grand Marshal Huan said: "Don't take it lightly, my lords, King Injo stood on his feet and played the pipa under the north window, so he had the idea of being a real person in the sky."
Wang Zhonglang loved Zhang Tianxi very much and asked him, "You have seen the paths and tracks of the people who crossed the Yangtze River. What is so great about the tracks on the left side of the Yangtze River? How are the later talents compared with the Central Plains?" Zhang said, "Since Wang and He, we have studied the profound and profound things. We have made changes according to the times, following the style of Xun and Yue." Wang said, "You have more knowledge and insights, why did you let Fu Jian control you?" He replied, "The yang disappears and the yin rests, so the steps of the sky are slow; the negative and positive are stripped away to form an image, so why should we criticize you too much?"
The pickled beans are the harmonious air of aquatic plants; the meat is produced on land. The beans are produced on land; the meat is aquatic. The offerings of the bamboo baskets and beans are the products of the water and soil. We dare not use the usual vulgar food and value the rich food. This is the meaning of communicating with the gods, not the way of eating. The offerings of the former kings can be eaten but not used. The crown and carriage can be displayed but not liked. The military is strong, but not enjoyable. The majesty of the ancestral temple, but it cannot be ignored. The vessels of the ancestral temple can be used but not used for their own benefit. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. The beauty of wine and liquor, the preference for dark wine and bright water, is the origin of valuing the five flavors. The beauty of embroidery and the preference for sparse cloth are the beginning of women's work. The comfort of the bamboo mat and the preference for the quilt are the light. The big soup is not harmonious, it is the value of its quality. The big jade is not polished, it is the beauty of its quality. The beauty of the red lacquer carved table and the plain carriage are the respect for its simplicity and the value of its quality. The reason for communicating with the gods and spirits should not be the same as the meaning of comfort. Only in this way can it be appropriate. The odd shapes of the tripod and the even shapes of the dishes and the yin and yang are the meaning of yin and yang. The yellow eyes are the supreme respect of the depressed qi. Yellow means the middle; eyes are the clear and bright qi. It means to pour in the middle and be clear and bright outside. To offer sacrifice to the heaven, sweep the ground and offer sacrifice there, it is the quality. The beauty of pickled meat and salt, and the popularity of salt, are because they are produced by nature. The use of a knife and the value of a phoenix knife are because of their righteousness. The sound is harmonious before it can be cut.
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